Traditional Nordic dance music

http://dbpedia.org/resource/Traditional_Nordic_dance_music an entity of type: Agent

Traditional Nordic dance music is a type of traditional music or folk music that once was common in the mainland part of the Nordic countries — Scandinavia plus Finland. The person who plays this kind of music might be called speleman (Swedish/Norwegian), spelman (Swedish), spel(l)emann (Norwegian), pelimanni (Finnish) or spillemand (Danish). Finnish traditional dance music is often called pelimanni music in English, while there does not seem to exist a similar, widespread term for the corresponding music from the other countries. It is often more meaningful to distinguish between the traditional dance music from different regions than between music from the countries as such. Some concepts in the field can be defined as Norwegian or Finnish, but most are either common to all four countrie rdf:langString
Spelmansmusik är den typ av nordisk folkmusik som spelats och spelas till dans eller i andra sociala sammanhang som till exempel till festmåltider, när man gått eller för att ha trevligt på kvällar. Spelmansmusik är den vanligaste typen av svensk folkmusik, och det som nordbor oftast tänker på när man säger bara "folkmusik". De regionala skillnaderna inom varje land är stora, så det är oftast mer relevant att prata om spelmansmusik från olika regionala traditioner än från olika länder. Vid sidan om spelmansmusiken har de nordiska länderna även andra folkmusiktraditioner; i Sverige och Norge finns till exempel fäbodkulturen med de musiktraditioner som hör dit — vallmusik på näverlurar, kohorn och spelpipor (enkla flöjter) av olika slag — medan Finland har sin kantele och runosång. Spelmansm rdf:langString
rdf:langString Traditional Nordic dance music
rdf:langString Spelmansmusik
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rdf:langString Traditional Nordic dance music is a type of traditional music or folk music that once was common in the mainland part of the Nordic countries — Scandinavia plus Finland. The person who plays this kind of music might be called speleman (Swedish/Norwegian), spelman (Swedish), spel(l)emann (Norwegian), pelimanni (Finnish) or spillemand (Danish). Finnish traditional dance music is often called pelimanni music in English, while there does not seem to exist a similar, widespread term for the corresponding music from the other countries. It is often more meaningful to distinguish between the traditional dance music from different regions than between music from the countries as such. Some concepts in the field can be defined as Norwegian or Finnish, but most are either common to all four countries or local. Besides the dance music tradition, all countries also have other traditions of folk music that are not shared to a similar extent. Nordic folk dance music consists of various dance rhythms that do not originate in the Nordic countries but once were the fashion dances among the European nobility. With time these dances spread to common people, and in some cases they remained there long after the nobility had exchanged them for new fashionable dances. Many of these rhythms can also be found in other parts of Europe, and some of them have also been used in classical music. The majority of the tunes are in minor keys. Traditionally, there were many tunes in keys that can not be classified as either minor or major (Modes). Traces of this still exist, but most of that disappeared when the accordion became popular. The majority of the dances that go with this music are partner dances, though exceptions do exist. Such exceptions include the minuets that are common in some parts of Finland and that can also be found in parts of Sweden, the solo-dance halling, generally considered typically Norwegian but also found in parts of Sweden, and the Finnish quadrille danced by several couples in formation. The most common dance rhythm is the polska. It is in 3/4 (three beats to the bar). In the most common polskas, the third beat is accentuated as well as the first. There are many local versions of the polska rhythm, and generally local variations of the accompanying dance correspond to these differences, though many of these local dances have disappeared. The schottische, also known as reinlender, polka and waltz are other common dance rhythms. In addition there are many other more uncommon dance rhythms (e.g. the anglais), despite a small number of surviving tunes. The most typical instrument is the fiddle. In most cases normal violins are used, but there are exceptions such as the hardingfele, used in parts of Norway, which has a set of sympathetic strings in addition to the normal four strings. Another unique instrument, the nyckelharpa (keyed fiddle), probably once existed in a large part of Europe, but survived until modern times only in Sweden. Other instruments that were used traditionally were simple clarinets, and later accordions. The Swedish säckpipa is, as well as older types of nyckelharpa and hurdy-gurdy, a link to the older traditions of drone music. Contemporary Nordic traditional dance musicians might also use other less traditional instruments, as well as writing new tunes in the old style.
rdf:langString Spelmansmusik är den typ av nordisk folkmusik som spelats och spelas till dans eller i andra sociala sammanhang som till exempel till festmåltider, när man gått eller för att ha trevligt på kvällar. Spelmansmusik är den vanligaste typen av svensk folkmusik, och det som nordbor oftast tänker på när man säger bara "folkmusik". De regionala skillnaderna inom varje land är stora, så det är oftast mer relevant att prata om spelmansmusik från olika regionala traditioner än från olika länder. Vid sidan om spelmansmusiken har de nordiska länderna även andra folkmusiktraditioner; i Sverige och Norge finns till exempel fäbodkulturen med de musiktraditioner som hör dit — vallmusik på näverlurar, kohorn och spelpipor (enkla flöjter) av olika slag — medan Finland har sin kantele och runosång. Spelmansmusiken i de svenskspråkiga delarna av Finland ligger typmässigt närmare den svenska. Melodierna inom spelmansmusiken går i olika dansrytmer, som inte ursprungligen kommer från de nordiska länderna. Istället var de från början den europeiska överhetens modedanser, som så småningom spred sig ner genom folklagren och blev kvar där efter att de blivit omoderna på slotten och herresätena. Många av dessa dansrytmer återfinns även i andra delar av Europa. En del av dem har även använts i klassisk musik och används ibland som satsbeteckningar.
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