The Camp on Blood Island
http://dbpedia.org/resource/The_Camp_on_Blood_Island an entity of type: Thing
Die gelbe Hölle (alternativ auch Die gelbe Hölle vom Kwai, Originaltitel: The Camp on Blood Island) ist ein britischer Kriegsfilm aus dem Jahr 1958, den Val Guest für die Hammer Films inszenierte. Ausweislich eines Zwischentitels in der Originalfassung soll der Film auf einer wahren Begebenheit beruhen.
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The Camp on Blood Island is a 1958 British World War II film, directed by Val Guest for Hammer Film Productions and starring André Morell, Carl Möhner, Edward Underdown and Walter Fitzgerald. The film is set in a Japanese prisoner of war camp in Japanese-occupied British Malaya and deals with the brutal, sadistic treatment of Allied prisoners by their captors. On its release, the film was promoted with the tag line "Jap War Crimes Exposed!", alongside a quote from Lord Russell of Liverpool, "We may forgive, but we must never forget", and an image of a Japanese soldier wielding a samurai sword.
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Die gelbe Hölle
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The Camp on Blood Island
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The Camp on Blood Island
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The Camp on Blood Island
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UK theatrical release poster
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Die gelbe Hölle (alternativ auch Die gelbe Hölle vom Kwai, Originaltitel: The Camp on Blood Island) ist ein britischer Kriegsfilm aus dem Jahr 1958, den Val Guest für die Hammer Films inszenierte. Ausweislich eines Zwischentitels in der Originalfassung soll der Film auf einer wahren Begebenheit beruhen.
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The Camp on Blood Island is a 1958 British World War II film, directed by Val Guest for Hammer Film Productions and starring André Morell, Carl Möhner, Edward Underdown and Walter Fitzgerald. The film is set in a Japanese prisoner of war camp in Japanese-occupied British Malaya and deals with the brutal, sadistic treatment of Allied prisoners by their captors. On its release, the film was promoted with the tag line "Jap War Crimes Exposed!", alongside a quote from Lord Russell of Liverpool, "We may forgive, but we must never forget", and an image of a Japanese soldier wielding a samurai sword. From its powerful opening sequence of a man being forced to dig his own grave before being shot dead, an intertitle follows, stating "this is not just a story - it is based on brutal truth", The Camp on Blood Island is noted for a depiction of human cruelty and brutality which was unusually graphic for a film of its time. It received some contemporary allegations of going beyond the bounds of the acceptable and necessary into gratuitous sensationalism. A prequel, The Secret of Blood Island, was released in 1964.
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