Messiah Part II

http://dbpedia.org/resource/Messiah_Part_II an entity of type: Thing

《哈利路亞》是韓德爾的英語清唱劇(港台称其为“神剧”)《弥赛亚》中的一首選段,排在第二部份的最後一首曲。根據欽定版本,本曲為第44首。“哈利路亞”是全首《彌賽亞》中最廣為人知的一段,而“哈利路亞”(Hallelujah)是“讚美耶和華”的意思(耶和華是聖經上永生上帝的名字),是基督徒當讚美上帝(神)時所用的歡呼语。 rdf:langString
Messiah (HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part II in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds and reflects the Messiah's deeds on earth. Part II covers the Passion in nine movements including the oratorio's longest movement, an air for alto He was despised, then mentions death, resurrection, ascension, and reflects the spreading of the Gospel and its rejection. The part is concluded by a scene called "God's Triumph" that culminates in the chorus. Part III of the oratorio concentrates on Paul's teaching of the resurrection of t rdf:langString
Messiah (HWV 56), é um oratório em inglês composto por George Frideric Handel em 1741, sendo estruturado em três partes. Esta lista cobre a Parte II em uma tabela e comentários sobre movimentos individuais, refletindo a relação do cenário musical com o texto. A começa com a profecia do Messias e seu nascimento, mostra a anunciação aos pastores e reflete as obras do Messias na terra. A Parte II cobre a Paixão em nove movimentos, incluindo o movimento mais longo do oratório, um aria para alto Ele era desprezado, então menciona a morte, ressurreição, ascensão, e reflete a propagação do Evangelho e sua rejeição. A parte é concluída com uma cena chamada "Triunfo de Deus" que culmina no . do oratório se concentra no ensino da ressurreição dos mortos do Apóstolo Paulo e a glorificação no céu de rdf:langString
rdf:langString Messiah Part II
rdf:langString Messiah Part II
rdf:langString 哈利路亚大合唱
rdf:langString Messiah
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rdf:langString choir and solo
rdf:langString Hebrews
rdf:langString Isaiah
rdf:langString Psalms
rdf:langString Revelation
rdf:langString Romans
rdf:langString Genesis
rdf:langString John
rdf:langString Lamentations
rdf:langString
rdf:langString The last page of the Hallelujah chorus,
rdf:langString ending Part II, in Handel's manuscript
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rdf:langString Messiah
xsd:integer 30
rdf:langString Performed by MIT Concert Choir, directed by William C. Cutter
rdf:langString Performed by MIT Concert Choir, William Cutter directing
rdf:langString Handel - messiah - 44 hallelujah.ogg
rdf:langString Handel - messiah - 29 thy rebuke hath broken his heart.ogg
rdf:langString Handel - messiah - 41 let us break their bonds asunder.ogg
rdf:langString Handel - messiah - 33 lift up ye heads, o ye gates.ogg
rdf:langString Handel - messiah - 22 behold the lamb of god.ogg
rdf:langString Handel - messiah - 23 he was despised.ogg
rdf:langString Handel - messiah - 25 and with his stripes.ogg
rdf:langString Handel - messiah - 26 all we, like sheep.ogg
rdf:langString Handel - messiah - 28 he trusted in god.ogg
rdf:langString Handel - messiah - 30 behold and see.ogg
rdf:langString Handel - messiah - 31 he was cut off.ogg
rdf:langString Handel - messiah - 32 but thou didst not leave.ogg
rdf:langString Handel - messiah - 34 unto which of the angels.ogg
rdf:langString Handel - messiah - 36 thou art gone up on high.ogg
rdf:langString Handel - messiah - 37 the lord gave the word.ogg
rdf:langString Handel - messiah - 39 their sound is gone out.ogg
rdf:langString Handel - messiah - 40 why do the nations.ogg
rdf:langString Handel - messiah - 43 thou shalt break them.ogg
rdf:langString Handel - messiah - 38 how beautiful are the feet.ogg
rdf:langString Handel - messiah - 35 let all the angels of god worship him.ogg
rdf:langString Handel - messiah - 42 he that dwelleth in heaven.ogg
rdf:langString Handel - messiah - 24 surely he hath borne our griefs.ogg
rdf:langString no
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rdf:langString –10
rdf:langString –4
rdf:langString –6
rdf:langString Bible
rdf:langString
rdf:langString Charles Jennens, a compilation from the King James Bible and the Book of Common Prayer
rdf:langString Hallelujah
rdf:langString Behold the Lamb of God
rdf:langString He was despised
rdf:langString All we, like sheep
rdf:langString And with his stripes
rdf:langString Behold and see
rdf:langString But thou didst not leave
rdf:langString He that dwelleth in heaven
rdf:langString He trusted in god
rdf:langString He was cut off
rdf:langString How beautiful are the feet
rdf:langString Let all the angels of god worship him
rdf:langString Let us break their bonds asunder
rdf:langString Lift up ye heads, o ye gates
rdf:langString Surely he hath borne our griefs
rdf:langString The lord gave the word
rdf:langString Their sound is gone out
rdf:langString Thou art gone up on high
rdf:langString Thou shalt break them
rdf:langString Thy rebuke hath broken his heart
rdf:langString Unto which of the angels
rdf:langString Why do the nations
rdf:langString music
rdf:langString King James
rdf:langString Messiah%2C_HWV_56_
rdf:langString Messiah (HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part II in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds and reflects the Messiah's deeds on earth. Part II covers the Passion in nine movements including the oratorio's longest movement, an air for alto He was despised, then mentions death, resurrection, ascension, and reflects the spreading of the Gospel and its rejection. The part is concluded by a scene called "God's Triumph" that culminates in the chorus. Part III of the oratorio concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
rdf:langString Messiah (HWV 56), é um oratório em inglês composto por George Frideric Handel em 1741, sendo estruturado em três partes. Esta lista cobre a Parte II em uma tabela e comentários sobre movimentos individuais, refletindo a relação do cenário musical com o texto. A começa com a profecia do Messias e seu nascimento, mostra a anunciação aos pastores e reflete as obras do Messias na terra. A Parte II cobre a Paixão em nove movimentos, incluindo o movimento mais longo do oratório, um aria para alto Ele era desprezado, então menciona a morte, ressurreição, ascensão, e reflete a propagação do Evangelho e sua rejeição. A parte é concluída com uma cena chamada "Triunfo de Deus" que culmina no . do oratório se concentra no ensino da ressurreição dos mortos do Apóstolo Paulo e a glorificação no céu de Cristo.
rdf:langString 《哈利路亞》是韓德爾的英語清唱劇(港台称其为“神剧”)《弥赛亚》中的一首選段,排在第二部份的最後一首曲。根據欽定版本,本曲為第44首。“哈利路亞”是全首《彌賽亞》中最廣為人知的一段,而“哈利路亞”(Hallelujah)是“讚美耶和華”的意思(耶和華是聖經上永生上帝的名字),是基督徒當讚美上帝(神)時所用的歡呼语。
xsd:integer 2
rdf:langString
rdf:langString viola
rdf:langString timpani
rdf:langString basso continuo
xsd:nonNegativeInteger 36887

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