Dream Harder

http://dbpedia.org/resource/Dream_Harder an entity of type: Thing

Dream Harder (1993) is the sixth album by The Waterboys. Led by Scottish singer-songwriter-instrumentalist Mike Scott, the album features none of the earlier UK-based band members and instead finds Scott backed by American session musicians. It was the last Waterboys album before Scott spent seven years pursuing a formal solo career, with Bring 'Em All In (1995) and Still Burning (1997). The album reached position 171 on the Billboard Top 200 charts, surpassing the previous Waterboys album Room to Roam, in spite of a less-than-enthusiastic response from critics to the album's sound. rdf:langString
rdf:langString Dream Harder
rdf:langString Dream Harder
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rdf:langString Dream Harder Waterboys Album Cover.jpg
rdf:langString Rock
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xsd:integer 2000
xsd:integer 1990
rdf:langString New York City
xsd:date 1993-05-25
rdf:langString Rolling Stone
rdf:langString Entertainment Weekly
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rdf:langString C+
rdf:langString studio
rdf:langString Dream Harder (1993) is the sixth album by The Waterboys. Led by Scottish singer-songwriter-instrumentalist Mike Scott, the album features none of the earlier UK-based band members and instead finds Scott backed by American session musicians. It was the last Waterboys album before Scott spent seven years pursuing a formal solo career, with Bring 'Em All In (1995) and Still Burning (1997). The album reached position 171 on the Billboard Top 200 charts, surpassing the previous Waterboys album Room to Roam, in spite of a less-than-enthusiastic response from critics to the album's sound. The album art was provided by the photography of Michael Halsband and John Hardin and the painting of Pal Shazar, under the direction of Frank Olinsky and Tom Zutaut. Dream Harder was a return to a rock, or even hard rock, sound after the traditional Celtic-influenced preceding two albums. It did, however, continue The Waterboys' tradition of arranging a William Butler Yeats poem, in this case "Love And Death". "The Return of Pan" is The Waterboys' second ode to the Greek deity, and the album contains a number of references to the romantic Neopaganism of Dion Fortune and the mystical Christianity of C. S. Lewis, as well as a tribute to guitarist Jimi Hendrix.
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