Diwan (poetry)

rdf:langString Diwan (poetry)

rdf:langString In Islamic cultures of the Middle East, North Africa, Sicily and South Asia, a Diwan (Persian: دیوان, divân, Arabic: ديوان, dīwān) is a collection of poems by one author, usually excluding his or her long poems (mathnawī). These poems, frequently sung or set to music, were often composed and collected in the imperial courts of various sultanates and were very well known for their ability to inspire. In modern-times, the inspirational, linguistic, verse, meter, and other design features of the Diwan or Masnavi poetry, are found echoing in other cultures, same or similar to the relaying of hidden messages, safety, and support, left for those ex-slaves on the Underground Railroad, during the American Civil War. Thus, themes that emerge from traditional Islamic origins can again portray of and evoke the persistence of life, or whatever continuances, admirable to the old or traditional ways and wisdoms. Where these are found in freeform variants, like an enigma, the modern Diwan, as powers brings a peculiar message encompassing for the divinities. The vast majority of Diwan poetry was lyric in nature: either ghazals or gazels (which make up the greatest part of the repertoire of the tradition), or kasîdes. There were, however, other common genres, most particularly the mesnevî, a kind of verse romance and thus a variety of narrative poetry; the two most notable examples of this form are the Layla and Majnun (ليلى و مجنون) of Fuzûlî and the Hüsn ü Aşk (حسن و عشق; "Beauty and Love") of Şeyh Gâlib. Originating in Persian literature, the idea spread to the Arab and Turkish worlds, and South Asia, and the term was sometimes used in Europe, not always in the same way.