Bijelo Dugme

http://dbpedia.org/resource/Bijelo_Dugme an entity of type: Thing

Bijelo dugme (deutsch Weißer Knopf) war eine jugoslawische Rockband aus Sarajevo, Bosnien und Herzegowina. Bandleader und Gitarrist war Goran Bregović. Bijelo dugme galt allgemein als die populärste Band des sozialistischen Jugoslawiens. rdf:langString

Bijelo Dugme estis jugoslava rokbando el la 70-aj kaj 80-aj jaroj. Membro estis i.a. Goran Bregović. rdf:langString

Bijelo Dugme (en castellano, "Botón Blanco") fue un grupo de rock, el más popular de la antigua Yugoslavia. rdf:langString

I Bijelo Dugme (in bosniaco: Bijelo dugme; pronuncia: bielo dugme; traduzione: bottone bianco) sono stati il gruppo rock più famoso della Jugoslavia. Nel corso della loro carriera hanno realizzato tredici album, vendendo più di sei milioni di dischi e segnando la storia musicale degli ultimi decenni della Jugoslavia. rdf:langString

Bijelo dugme, Бијело дугме (serb-chorw. Biały guzik) – jugosłowiański zespół rockowy z Sarajewa. Działał w latach 1974–1989. Uznawany jest zgodnie, zarówno przez krytyków muzycznych, jak i słuchaczy muzyki z republik byłej Jugosławii, za najbardziej znaczący (w sferze muzyki, wpływu na szeroko rozumianą kulturę, nie tylko muzyczną), ale i najbardziej popularny zespół muzyczny w historii muzyki krajów byłej Jugosławii. rdf:langString

Bijelo dugme («Белая пуговица») — рок-группа из Боснии и Герцеговины. rdf:langString

Bijelo dugme var ett jugoslaviskt rockband från Sarajevo, Bosnien och Hercegovina. De spelade in nio album mellan 1973 och 1989, ett av de populärare rockbandet i det forna Jugoslavien. Ofta kallade för "Balkans Rolling Stones". rdf:langString

Bijelo Dugme foi uma banda de rock da Jugoslávia formada em 1974 em Sarajevo, então capital da Bósnia e Herzegovina, uma das seis repúblicas constituintes da antiga Jugoslávia. A banda lançou nove álbuns até 1989. Seu líder foi o compositor e guitarrista Goran Bregović. rdf:langString

白色纽扣（塞爾維亞語：Бијело дугме）是一个南斯拉夫摇滚乐团，于1974年在萨拉热窝成立。该乐团是南斯拉夫社会主义联邦共和国最著名的乐团之一，亦是的代表乐团之一。这一乐团的名称来自其专辑《》（塞爾維亞語：Кад би' био бијело дугме）。 rdf:langString

Bijelo Dugme («Білий ґудзик») — рок-група, яка вважається одним із найуспішніших музичних колективів колишньої Югославії. Диск «Злидар та принцеса»(1979) названий десятим у списку 100 кращих альбомів югославської рок-музики. rdf:langString

Bijelo dugme (srbskou cyrilicí Бијело дугме) je nejznámější rockovou skupinou bývalé Jugoslávie. Stejně jako řada dalších úspěšných kapel původem ze SFRJ, i Bijelo dugme vzniklo v Sarajevu, a to v roce 1973. Skupina byla aktivní v zlaté éře jugoslávské populární hudby; byla symbolem svojí doby. Název kapely v překladu znamená Bílý knoflík. Skupina se rozpadla kvůli válce při rozpadu Jugoslávie. Její členové společně vystoupili až v roce 2005 v Sarajevu, Záhřebu a Bělehradu. rdf:langString

Bijelo Dugme (trans. White Button) was a Yugoslav rock band, formed in Sarajevo, SR Bosnia and Herzegovina in 1974. Bijelo Dugme is widely considered to have been the most popular band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most important acts of the Yugoslav rock scene. rdf:langString

Bijelo dugme (ou « Bouton blanc ») est un des groupes de musique rock les plus célèbres de l'ex-Yougoslavie. Il a été fondé en 1974 par Goran Bregović à Sarajevo, en République socialiste de Bosnie-Herzégovine. En 1984, le chanteur charismatique Željko Bebek quitte le groupe et poursuit une carrière solo. Le groupe cesse d'exister en 1989. rdf:langString

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rdf:langString Bijelo Dugme

rdf:langString Bijelo dugme

rdf:langString Bijelo Dugme

rdf:langString Bijelo dugme

rdf:langString Bijelo Dugme

rdf:langString Bijelo dugme

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rdf:langString 白色纽扣

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rdf:langString Bijelo Dugme

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rdf:langString Kodeksi, Jutro, Indexi, Smak, Formula 4, Teška Industrija, Amila, Divlje Jagode, Vatreni Poljubac

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rdf:langString Jugoton, Diskoton, Kamarad, Croatia Records

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rdf:langString Jadranko Stanković

rdf:langString Điđi Jankelić

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rdf:langString Bijelo Dugme is the most important phenomenon in the last quarter of the 20th century in Yugoslav culture. In a socialist culture, which shyly searched for its path outside of determined framework of values, they were a phenomenon of overturning importance. They promoted the necessity of talent, the exigency of authenticity, the importance of attitude, the need for complete dedication, the high level of professionalism and the modern package. They were the biggest mass concept of Yugoslavia and the first mass concept not financed by the state. During their entire career, they had the endless love of the audience, the constant envy of their colleagues and divided sympathy of the establishment. They defined rock culture and defined teenagers as an organised category. They fought for the freedom of taste, by then unimaginable in socialism, and won. They were one of the rare capitalist establishments in former Yugoslavia and the best advertiser of Yugoslavia's freedoms. They lived and worked in accordance to all the attributes of the Western rock culture. There was everything present in all big biographies of rock: big numbers, the euphoria of fans, all the vices except gambling, the inexplicable circumstances and tragic deaths. It is believed that they are the only ones in Yugoslavia who made big money from rock music. They set new standards in the entertainment industry and kept lifting them up. They fulfilled all the dreams of Yugoslav scene – except one: they did not step out on the world stage side by side with the biggest stars of the time, although they had the capacity to do that. Bijelo Dugme was maybe the biggest collateral damage of the Cold War when it comes to music: they couldn't go neither to the East, neither to the West. Then again, Bijelo Dugme is the only proof that the classic rock 'n' roll career is possible outside of English language.

rdf:langString Energy, as we know, can not be lost, although it often seemed to me that today's youth had lost it. More and more young chairwarmers appeared, ready to ape the older ones [...] In Dom Sportova, that pure energy of youth appeared in a fascinating form, equal to the concrete colossus in which it emerged, but collectively subjected to rock syntax. That sort of joy and that sort of spontaneity, that sort of sensitivity and that sort of togetherness are possible only with creative spirits, which do not bargain for their position, but simply share it with the others, the same, the equal. With the sounds that tear to pieces everything that does not subject to them , with blinding games of light, in the whirlpool of young bodies uncaring for their small spot, an event which will be remembered was created, an event which, in my opinion, Bijelo Dugme only accidentally set in motion. That event was in the air, as a need of one generation of teenagers pinched between existing tepid culture and imperatives of their young nature. The instruments of Bijelo Dugme were only the electric lighter for those explosive masses, which started the run for their mythology, their culture, their values... The generation which found its Bijelo Dugme will more likely find its Bach than the generation for which Bach is a social norm, the generation which is dressed in its formal suit and locked in its concert chair.

rdf:langString The oldest visitors of their concerts — which, like an epidemics, during two months ravened through all Yugoslav cities with more than 30,000 people — are not older than 15. If they are, they are mental coevals of ten-year-olds. Even for than unripe age of man's life, the lyrics: 'I will give my life, 'cause you're mine only, in that love, my only love' seemed too moronic. The Buttons — original also when it comes to their costumes, on their five inch heels, with earrings and trinkets — colored their 'lyrics' with 'traditional ghenes'. [...] On their latest LP record there is a posterior with fingers pressed into it. They sold more than 600,000 records, and held 200 concerts during the last 365 days. Bijelo Dugme is a peak of a wave of youth subculture. In this country also exist the League of Socialist Youth, the Institute for Social Issues, musical experts, serious publicists and press, radio and television. But neither institutions neither individuals had the courage to establish the counterpoint to roistering advertising through something every society must have – through critical conscience. Not in order to execute or to anathematize, but in order to knowingly cover social life. Faced with the masquerade, the electronic music, the vulgar lyrics, society's scientific minds pushed their heads deep into sand.

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xsd:date 1976-03-28

rdf:langString -Dušan Vesić in 2014

rdf:langString -Sergije Lukač

rdf:langString -Veselko Tendžera

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rdf:langString Bijelo dugme (srbskou cyrilicí Бијело дугме) je nejznámější rockovou skupinou bývalé Jugoslávie. Stejně jako řada dalších úspěšných kapel původem ze SFRJ, i Bijelo dugme vzniklo v Sarajevu, a to v roce 1973. Skupina byla aktivní v zlaté éře jugoslávské populární hudby; byla symbolem svojí doby. Název kapely v překladu znamená Bílý knoflík. Skupina v letech 1973–1989 vydala celkem devět alb. Původně vystupovala pod názvem Jutro (Ráno), jméno Bijelo dugme přijala 1. ledna 1974. Jediným členem, který ve skupině zůstal od začátku do konce byl kytarista Goran Bregović, na postu frontmana se vystřídalo více zpěváků; , , nebo . Do skupiny přišli a zase odešli basisté , , a , bubeníci , a a klávesisté a . Skupina se rozpadla kvůli válce při rozpadu Jugoslávie. Její členové společně vystoupili až v roce 2005 v Sarajevu, Záhřebu a Bělehradu.

rdf:langString Bijelo dugme (deutsch Weißer Knopf) war eine jugoslawische Rockband aus Sarajevo, Bosnien und Herzegowina. Bandleader und Gitarrist war Goran Bregović. Bijelo dugme galt allgemein als die populärste Band des sozialistischen Jugoslawiens.

rdf:langString Bijelo Dugme estis jugoslava rokbando el la 70-aj kaj 80-aj jaroj. Membro estis i.a. Goran Bregović.

rdf:langString Bijelo Dugme (trans. White Button) was a Yugoslav rock band, formed in Sarajevo, SR Bosnia and Herzegovina in 1974. Bijelo Dugme is widely considered to have been the most popular band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most important acts of the Yugoslav rock scene. Bijelo Dugme was officially formed in 1974, although the members of the default lineup, guitarist Goran Bregović, vocalist Željko Bebek, drummer Ipe Ivandić, keyboardist Vlado Pravdić and bass guitarist Zoran Redžić, were previously active under the name Jutro. The band's debut album Kad bi bio bijelo dugme, released in 1974, brought them nationwide popularity with its Balkan folk-influenced hard rock sound. The band's future several releases, featuring similar sound, maintained their huge popularity, described by the media as "Dugmemania", and the band's work, especially their symphonic ballads with poetic lyrics, was also widely praised by music critics. In the early 1980s, with the emergence of Yugoslav new wave scene, the band moved towards new wave, managing to remain one of the most popular bands in the country. After the departure of Bebek in 1983, the band was joined by vocalist Mladen Vojičić Tifa, with whom the band recorded only one, but memorable self-titled album. The band's last vocalist, Alen Islamović, joined the band in 1986, and with him Bijelo Dugme recorded two albums, disbanding, with the rising tensions in Yugoslavia, in 1989. In 2005, the band reunited in the lineup that featured most of the musicians that passed through the band, including all three vocalists, for three concerts, in Sarajevo, Bosnia and Herzegovina, in Zagreb, Croatia and in Belgrade, Serbia, the concert in Belgrade being one of the highest-attended ticketed concerts of all time.

rdf:langString Bijelo Dugme (en castellano, "Botón Blanco") fue un grupo de rock, el más popular de la antigua Yugoslavia.

rdf:langString Bijelo dugme (ou « Bouton blanc ») est un des groupes de musique rock les plus célèbres de l'ex-Yougoslavie. Il a été fondé en 1974 par Goran Bregović à Sarajevo, en République socialiste de Bosnie-Herzégovine. En 1984, le chanteur charismatique Željko Bebek quitte le groupe et poursuit une carrière solo. Le groupe cesse d'exister en 1989. Leurs chansons les plus connues sont probablement Đurđevdan, Lipe cvatu ainsi que Napile se ulice et Ruzica si bila. Le groupe s'est réuni exceptionnellement en 2005-2006 pour quelques concerts (Sarajevo, Zagreb, Belgrade) puis au Canada, États-Unis (Chicago), Australie.

rdf:langString I Bijelo Dugme (in bosniaco: Bijelo dugme; pronuncia: bielo dugme; traduzione: bottone bianco) sono stati il gruppo rock più famoso della Jugoslavia. Nel corso della loro carriera hanno realizzato tredici album, vendendo più di sei milioni di dischi e segnando la storia musicale degli ultimi decenni della Jugoslavia.

rdf:langString Bijelo dugme, Бијело дугме (serb-chorw. Biały guzik) – jugosłowiański zespół rockowy z Sarajewa. Działał w latach 1974–1989. Uznawany jest zgodnie, zarówno przez krytyków muzycznych, jak i słuchaczy muzyki z republik byłej Jugosławii, za najbardziej znaczący (w sferze muzyki, wpływu na szeroko rozumianą kulturę, nie tylko muzyczną), ale i najbardziej popularny zespół muzyczny w historii muzyki krajów byłej Jugosławii.

rdf:langString Bijelo dugme («Белая пуговица») — рок-группа из Боснии и Герцеговины.

rdf:langString Bijelo dugme var ett jugoslaviskt rockband från Sarajevo, Bosnien och Hercegovina. De spelade in nio album mellan 1973 och 1989, ett av de populärare rockbandet i det forna Jugoslavien. Ofta kallade för "Balkans Rolling Stones".

rdf:langString Bijelo Dugme foi uma banda de rock da Jugoslávia formada em 1974 em Sarajevo, então capital da Bósnia e Herzegovina, uma das seis repúblicas constituintes da antiga Jugoslávia. A banda lançou nove álbuns até 1989. Seu líder foi o compositor e guitarrista Goran Bregović.

rdf:langString 白色纽扣（塞爾維亞語：Бијело дугме）是一个南斯拉夫摇滚乐团，于1974年在萨拉热窝成立。该乐团是南斯拉夫社会主义联邦共和国最著名的乐团之一，亦是的代表乐团之一。这一乐团的名称来自其专辑《》（塞爾維亞語：Кад би' био бијело дугме）。

rdf:langString Bijelo Dugme («Білий ґудзик») — рок-група, яка вважається одним із найуспішніших музичних колективів колишньої Югославії. Диск «Злидар та принцеса»(1979) названий десятим у списку 100 кращих альбомів югославської рок-музики.

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