You Keep Coming Back Like a Song
http://dbpedia.org/resource/You_Keep_Coming_Back_Like_a_Song an entity of type: Thing
You Keep Coming Back Like a Song ist ein Lied, das Irving Berlin für den Soundtrack des Musikfilms Blau ist der Himmel (Blue Skies) von Stuart Heisler aus dem Jahr 1946 komponierte und textete. Im Film wird es von Bing Crosby vorgetragen. Der Refrain lautet: You keep coming back like a song, A song that keeps saying ‚Remember‘ … und handelt davon, dass die Erinnerung immer wieder zurückkommt, wie ein alter Song, den man liebt, und dem man nicht entrinnen kann (Can’t run away from you, dear…).
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"You Keep Coming Back Like a Song" is a popular song written by Irving Berlin for the 1946 film Blue Skies, where it was introduced by Bing Crosby. The song was nominated for "Best Song" in 1946 but lost out to "On the Atchison, Topeka and the Santa Fe". Dinah Shore's version was biggest in the US reaching the No. 5 spot, while Crosby's version (recorded July 18, 1946) peaked at No. 12. Jo Stafford also had chart success with it and her version achieved the No.11 position.
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You Keep Coming Back Like a Song
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You Keep Coming Back Like a Song
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You Keep Coming Back Like a Song
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You Keep Coming Back Like a Song
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11966292
xsd:integer
1004037628
xsd:date
1946-07-18
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You Keep Coming Back Like a Song ist ein Lied, das Irving Berlin für den Soundtrack des Musikfilms Blau ist der Himmel (Blue Skies) von Stuart Heisler aus dem Jahr 1946 komponierte und textete. Im Film wird es von Bing Crosby vorgetragen. Der Refrain lautet: You keep coming back like a song, A song that keeps saying ‚Remember‘ … und handelt davon, dass die Erinnerung immer wieder zurückkommt, wie ein alter Song, den man liebt, und dem man nicht entrinnen kann (Can’t run away from you, dear…).
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"You Keep Coming Back Like a Song" is a popular song written by Irving Berlin for the 1946 film Blue Skies, where it was introduced by Bing Crosby. The song was nominated for "Best Song" in 1946 but lost out to "On the Atchison, Topeka and the Santa Fe". Dinah Shore's version was biggest in the US reaching the No. 5 spot, while Crosby's version (recorded July 18, 1946) peaked at No. 12. Jo Stafford also had chart success with it and her version achieved the No.11 position.
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3013
xsd:date
1946-07-18