Women in the art history field

http://dbpedia.org/resource/Women_in_the_art_history_field an entity of type: Thing

Las mujeres han sido profesionalmente activas en la disciplina académica de la historia del arte y han contribuido al importante cambio de principios del siglo XX en el que se empezó a implicar enfáticamente el cuerpo como tema visual, con Vernon Lee como ejemplo notable.​ Está demostrado que las historiadoras del arte del siglo XX (y conservadoras), escogieron estudiar a las mujeres artistas, aumentando de esta manera su visibilidad.​ rdf:langString
Women were professionally active in the academic discipline of art history in the nineteenth century and participated in the important shift early in the century that began involving an "emphatically corporeal visual subject", with Vernon Lee as a notable example. It is argued that in the twentieth century women art historians (and curators), by choosing to study women artists, "dramatically" "increased their visibility". It has been written that women artists pre-1974 were historically one of two groups; women art historians and authors who self-consciously address high school audiences through the publication of textbooks. The relative "newness" of this field of study for women, paired with the possibility of interdisciplinary focus, emphasizes the importance of visibility of all global rdf:langString
rdf:langString Mujeres en el campo de la historia del arte
rdf:langString Women in the art history field
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rdf:langString Las mujeres han sido profesionalmente activas en la disciplina académica de la historia del arte y han contribuido al importante cambio de principios del siglo XX en el que se empezó a implicar enfáticamente el cuerpo como tema visual, con Vernon Lee como ejemplo notable.​ Está demostrado que las historiadoras del arte del siglo XX (y conservadoras), escogieron estudiar a las mujeres artistas, aumentando de esta manera su visibilidad.​
rdf:langString Women were professionally active in the academic discipline of art history in the nineteenth century and participated in the important shift early in the century that began involving an "emphatically corporeal visual subject", with Vernon Lee as a notable example. It is argued that in the twentieth century women art historians (and curators), by choosing to study women artists, "dramatically" "increased their visibility". It has been written that women artists pre-1974 were historically one of two groups; women art historians and authors who self-consciously address high school audiences through the publication of textbooks. The relative "newness" of this field of study for women, paired with the possibility of interdisciplinary focus, emphasizes the importance of visibility of all global women in the art history field.
xsd:nonNegativeInteger 49772

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