Women in speculative fiction
http://dbpedia.org/resource/Women_in_speculative_fiction
Al llarg de la història de la literatura hi ha hagut moltes escriptores de ciència-ficció feminista (CFF). Algunes de les més prominents han estat , amb el relat breu (1905); Charlotte P. Gilman, amb la seva obra Terra d'elles (1915); o molt abans Christine de Pisan, amb el Llibre de la ciutat de les dames (1405). Les distòpies o anti-utopies, en totes les seves variants, també han guanyat rellevància i contingut polític a mans d'escriptores com pot ser Margaret Atwood, una autora no especialitzada en ciència-ficció, amb El conte de la serventa (1985). Aquest gènere literari de ficció especulativa a més d'obres de narrativa inclou també poesia, teatre i còmic.
rdf:langString
En 1948, 10 à 15 % des auteurs de science-fiction sont des femmes ; le rôle des femmes dans les littératures de l'imaginaire (science-fiction incluse) a évolué depuis et, en 1999, 36 % des membres professionnels des Science Fiction and Fantasy Writers of America sont des femmes. Frankenstein ou le Prométhée moderne (1818) de Mary Shelley a été qualifié de premier roman de science-fiction, alors que les femmes avaient commencé à écrire des utopies bien avant. Par exemple, Margaret Cavendish a publié le premier roman utopique au XVIIe siècle, (The Blazing World). Les premiers romans de fantasy ont été écrits par et pour les deux genres. Cependant, les littératures de l'imaginaire, et surtout la science-fiction, sont traditionnellement considérées comme étant destinées à un public masculin.
rdf:langString
Em 1948, 10-15% dos autores de ficção científica eram do sexo feminino. O papel da mulher na ficção especulativa (incluindo ficção científica) tem crescido desde então e, em 1999, as mulheres representavam 36% dos profissionais da Science Fiction and Fantasy Writers of America. Frankenstein (1818) por Mary Shelley foi chamado do primeiro romance de ficção científica, embora as mulheres escreveram romances utópicos antes mesmo deste, com Margaret Cavendish publicando o primeiro, no século xvii. A publicação inicial de fantasia foi escrito por e para ambos os sexos. No entanto, ficção especulativa, e a ficção científica em particular, tem sido tradicionalmente vista orientada pelo gênero masculino.
rdf:langString
The role of women in speculative fiction has changed a great deal since the early to mid-20th century. There are several aspects to women's roles, including their participation as authors of speculative fiction and their role in science fiction fandom. Regarding authorship, in 1948, 10–15% of science fiction writers were female. Women's role in speculative fiction (including science fiction) has grown since then, and in 1999, women comprised 36% of the Science Fiction and Fantasy Writers of America's professional members. Frankenstein (1818) by Mary Shelley has been called the first science fiction novel, although women wrote utopian novels even before that, with Margaret Cavendish publishing the first (The Blazing World) in the seventeenth century. Early published fantasy was written by a
rdf:langString
rdf:langString
Autores de ciència-ficció feminista
rdf:langString
Femmes dans les littératures de l'imaginaire
rdf:langString
Mulheres na ficção especulativa
rdf:langString
Women in speculative fiction
xsd:integer
25523199
xsd:integer
1122368523
rdf:langString
right
rdf:langString
[...] science fiction and fantasy pulp magazines were directed mainly at boys[...]. Female characters were only occasionally included in science fiction pulp stories; the male protagonists' lengthy explanations to the women with limited knowledge revealed the plots
rdf:langString
Garber, Eric and Paleo, Lyn "Preface" in Uranian worlds.
<perCent>
25.0
rdf:langString
Al llarg de la història de la literatura hi ha hagut moltes escriptores de ciència-ficció feminista (CFF). Algunes de les més prominents han estat , amb el relat breu (1905); Charlotte P. Gilman, amb la seva obra Terra d'elles (1915); o molt abans Christine de Pisan, amb el Llibre de la ciutat de les dames (1405). Les distòpies o anti-utopies, en totes les seves variants, també han guanyat rellevància i contingut polític a mans d'escriptores com pot ser Margaret Atwood, una autora no especialitzada en ciència-ficció, amb El conte de la serventa (1985). Aquest gènere literari de ficció especulativa a més d'obres de narrativa inclou també poesia, teatre i còmic.
rdf:langString
En 1948, 10 à 15 % des auteurs de science-fiction sont des femmes ; le rôle des femmes dans les littératures de l'imaginaire (science-fiction incluse) a évolué depuis et, en 1999, 36 % des membres professionnels des Science Fiction and Fantasy Writers of America sont des femmes. Frankenstein ou le Prométhée moderne (1818) de Mary Shelley a été qualifié de premier roman de science-fiction, alors que les femmes avaient commencé à écrire des utopies bien avant. Par exemple, Margaret Cavendish a publié le premier roman utopique au XVIIe siècle, (The Blazing World). Les premiers romans de fantasy ont été écrits par et pour les deux genres. Cependant, les littératures de l'imaginaire, et surtout la science-fiction, sont traditionnellement considérées comme étant destinées à un public masculin.
rdf:langString
The role of women in speculative fiction has changed a great deal since the early to mid-20th century. There are several aspects to women's roles, including their participation as authors of speculative fiction and their role in science fiction fandom. Regarding authorship, in 1948, 10–15% of science fiction writers were female. Women's role in speculative fiction (including science fiction) has grown since then, and in 1999, women comprised 36% of the Science Fiction and Fantasy Writers of America's professional members. Frankenstein (1818) by Mary Shelley has been called the first science fiction novel, although women wrote utopian novels even before that, with Margaret Cavendish publishing the first (The Blazing World) in the seventeenth century. Early published fantasy was written by and for any gender. However, speculative fiction, with science fiction in particular, has traditionally been viewed as a male-oriented genre. Women have been active in science fiction fandom for a number of decades.
rdf:langString
Em 1948, 10-15% dos autores de ficção científica eram do sexo feminino. O papel da mulher na ficção especulativa (incluindo ficção científica) tem crescido desde então e, em 1999, as mulheres representavam 36% dos profissionais da Science Fiction and Fantasy Writers of America. Frankenstein (1818) por Mary Shelley foi chamado do primeiro romance de ficção científica, embora as mulheres escreveram romances utópicos antes mesmo deste, com Margaret Cavendish publicando o primeiro, no século xvii. A publicação inicial de fantasia foi escrito por e para ambos os sexos. No entanto, ficção especulativa, e a ficção científica em particular, tem sido tradicionalmente vista orientada pelo gênero masculino.
xsd:nonNegativeInteger
22043