William Blake Archive

rdf:langString William Blake Archive

rdf:langString William Blake Archive

rdf:langString William Blake Archive

rdf:langString Morris Eaves, Robert N. Essick, and Joseph Viscomi

rdf:langString Newton-WilliamBlake.jpg

rdf:langString Digital Archive

rdf:langString The William Blake Archive is a digital humanities project started in 1994, a first version of the website was launched in 1996. The project is sponsored by the Library of Congress and supported by the University of North Carolina at Chapel Hill and the University of Rochester. Inspired by the , the archive provides digital reproductions of the various works of William Blake, a prominent Romantic-period poet, artist, and engraver, alongside annotation, commentary and scholarly materials related to Blake. When publishing his poetry, William Blake would create print block illustrations for his book, print his books in black and white and then hand paint the illustrations within the prints. Furthermore, many of his works underwent multiple editions of printing, each with unique variations in the prints used to illustrate the poems and the poems themselves. Because of this complex process and the quality of his art, his art and poetry has been highly sought by collectors and scholars. The archive, as a digital humanities project, provides high quality digital copies of the facsimiles, providing scholars and students an opportunity to see the complexity of his published works often not available by viewing the scholarly print editions. The archive has been peer reviewed by the Modern Language Association in 2005 and the (MERLOT) process in 2010. MERLOT highly recommended the use of the tool for teaching, praising the access to primary sources it provides; however, they also noted the need for educators to create instructional materials on how to use the site and the ease by which someone could get lost. Scholars have also written a number of educational case studies on how to use the archive.