Wild Pilgrimage
http://dbpedia.org/resource/Wild_Pilgrimage an entity of type: Artifact100021939
《野外朝聖》（英語：Wild Pilgrimage）是美國藝術家的第三部无字小说作品，於1932年出版。該作品以108幅單色的製成，並以双色油墨印刷：以黑色油墨描繪現實，橙色油墨則用以描繪主人翁的幻想。故事講述一個工廠工人離開他的工作場所，以尋求自由的生活；在他的遊歷中，他目睹了私刑、對一名農夫的妻子施暴、與一個隱士一同學習，並在回到工廠後，領導了不成功的工人起義。主人公發現他在與自己對立的二元性作鬥爭，如自由與責任、個人與社會，以及愛情與死亡。 沃德在前作《狂人之鼓》（1930年）中更複雜的小說故事後簡化自己的創作方式，回歸了第一部作品《上帝之人》的簡單風格。相對於首兩部作品而言，《野外朝聖》的節奏更流暢、意象更豐富，並融合了和未来主义等藝術運動的影響。
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Wild Pilgrimage is the third wordless novel of American artist Lynd Ward (1905–1985), published in 1932. It was executed in 108 monochromatic wood engravings, printed alternately in black ink when representing reality and orange to represent the protagonist's fantasies. The story tells of a factory worker who abandons his workplace to seek a free life; on his travels he witnesses a lynching, assaults a farmer's wife, educates himself with a hermit, and upon returning to the factory leads an unsuccessful workers' revolt. The protagonist finds himself battling opposing dualities such as freedom versus responsibility, the individual versus society, and love versus death.
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Wild Pilgrimage
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野外朝聖
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39966232
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1109132067
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Wild Pilgrimage is the third wordless novel of American artist Lynd Ward (1905–1985), published in 1932. It was executed in 108 monochromatic wood engravings, printed alternately in black ink when representing reality and orange to represent the protagonist's fantasies. The story tells of a factory worker who abandons his workplace to seek a free life; on his travels he witnesses a lynching, assaults a farmer's wife, educates himself with a hermit, and upon returning to the factory leads an unsuccessful workers' revolt. The protagonist finds himself battling opposing dualities such as freedom versus responsibility, the individual versus society, and love versus death. Ward simplified his approach after the more complex, novelistic story of his previous book, Madman's Drum (1930), returning to the simplicity of his first, Gods' Man (1929). Wild Pilgrimage achieves more fluid pacing and varied imagery than the first two books, incorporating the influence of art movements such as American Regionalism and Futurism.
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《野外朝聖》（英語：Wild Pilgrimage）是美國藝術家的第三部无字小说作品，於1932年出版。該作品以108幅單色的製成，並以双色油墨印刷：以黑色油墨描繪現實，橙色油墨則用以描繪主人翁的幻想。故事講述一個工廠工人離開他的工作場所，以尋求自由的生活；在他的遊歷中，他目睹了私刑、對一名農夫的妻子施暴、與一個隱士一同學習，並在回到工廠後，領導了不成功的工人起義。主人公發現他在與自己對立的二元性作鬥爭，如自由與責任、個人與社會，以及愛情與死亡。 沃德在前作《狂人之鼓》（1930年）中更複雜的小說故事後簡化自己的創作方式，回歸了第一部作品《上帝之人》的簡單風格。相對於首兩部作品而言，《野外朝聖》的節奏更流暢、意象更豐富，並融合了和未来主义等藝術運動的影響。
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10337
