White Heat (Dusty Springfield album)
http://dbpedia.org/resource/White_Heat_(Dusty_Springfield_album) an entity of type: Thing
White Heat is the twelfth studio album recorded by singer Dusty Springfield, and eleventh released. It was only released in the United States and Canada. More so than her previous two albums, It Begins Again (1978), and Living Without Your Love (1979), and the non-album single "It Goes Like It Goes" (1980), White Heat was a distinct departure from Springfield's Los Angeles-produced radio-friendly soft rock sound, being closely identified with the new wave, synthpop sounds of the early 1980s. The album arguably contains the most diverse selection of genres to be collected on any Dusty Springfield studio album, ranging from 's ballad "Time and Time Again", orchestrated by James Newton Howard, to the aggressive hard rock of "Blind Sheep", co-written by Springfield herself. The sessions for "B
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White Heat (Dusty Springfield album)
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White Heat
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1118877
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1098107790
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White_Heat.jpg
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2264.0
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1990
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1979
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Howard Steele
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Hollywood, California,
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Group IV Studios,
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Kendun Recorders,
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November 1981– June 1982
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December 1982
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Album
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White Heat is the twelfth studio album recorded by singer Dusty Springfield, and eleventh released. It was only released in the United States and Canada. More so than her previous two albums, It Begins Again (1978), and Living Without Your Love (1979), and the non-album single "It Goes Like It Goes" (1980), White Heat was a distinct departure from Springfield's Los Angeles-produced radio-friendly soft rock sound, being closely identified with the new wave, synthpop sounds of the early 1980s. The album arguably contains the most diverse selection of genres to be collected on any Dusty Springfield studio album, ranging from 's ballad "Time and Time Again", orchestrated by James Newton Howard, to the aggressive hard rock of "Blind Sheep", co-written by Springfield herself. The sessions for "Blind Sheep" are the last designated sessions for Twentieth Century Fox Records in the Musician's Guild Logs. The album's opening track and only single release was "Donnez-Moi (Give It to Me)" which production wise took more than a few hints from contemporaneous synthesizer-driven pop productions by Giorgio Moroder, like Donna Summer's The Wanderer and Irene Cara's "Flashdance... What a Feeling", and British New Romantic bands like the Human League and their 1981 album Dare.
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8478