Wed 21
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Wed 21 es el sexto álbum de estudio de Juana Molina. Este disco, al igual que los anteriores, continúa explorando en un cancionero extraño, oscuro y tranquilo, muy característico en la obra de la compositora. Desde su lanzamiento, el álbum ha recibido la aprobación casi unánime de la crítica profesional y un sinnúmero de reseñas positivas por parte del público en general.
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Wed 21 is the sixth studio album by Argentine singer and songwriter Juana Molina. It was released on 28 October 2013 by Crammed Discs. From 2009 to 2012, Molina worked on the album on her own, recording at her house in Buenos Aires. Musically, Wed 21 is a folktronica album with a sound similar to her previous releases, but with innovations like the use of bass, drums, many electric guitars, noise, a horn and more detailed electronics, which led the Argentine Rolling Stone to describe it as her most "rocker" album. The album received rave reviews from music critics, who noted it was not a departure from her distinctive sound but still a progression.
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Wed 21
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Wed 21
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Wed 21
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Juana Molina album cover, Wed 21.jpg
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* Folktronica
* experimental rock
* indietronica
* IDM
* ambient
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80
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--09-03
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2017
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yes
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2008
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Juana Molina
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2009
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2013-10-28
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The Independent
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Drowned in Sound
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Pitchfork
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PopMatters
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Mixmag
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Rolling Stone Argentina
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studio
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Wed 21 es el sexto álbum de estudio de Juana Molina. Este disco, al igual que los anteriores, continúa explorando en un cancionero extraño, oscuro y tranquilo, muy característico en la obra de la compositora. Desde su lanzamiento, el álbum ha recibido la aprobación casi unánime de la crítica profesional y un sinnúmero de reseñas positivas por parte del público en general.
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Wed 21 is the sixth studio album by Argentine singer and songwriter Juana Molina. It was released on 28 October 2013 by Crammed Discs. From 2009 to 2012, Molina worked on the album on her own, recording at her house in Buenos Aires. Musically, Wed 21 is a folktronica album with a sound similar to her previous releases, but with innovations like the use of bass, drums, many electric guitars, noise, a horn and more detailed electronics, which led the Argentine Rolling Stone to describe it as her most "rocker" album. The album received rave reviews from music critics, who noted it was not a departure from her distinctive sound but still a progression. The title came from the name of a track recorded on 21 November, which didn't ever get a name.
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