We Come to the River

rdf:langString We Come to the River

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rdf:langString We Come to the River –

rdf:langString The composer in 1960

rdf:langString Actions for music

rdf:langString Opera

rdf:langString We Come to the River

rdf:langString Royal Opera House Covent Garden

rdf:langString We Come to the River – Wir erreichen den Fluss is an opera by Hans Werner Henze to an English-language libretto by Edward Bond. Henze and Bond described this work as "Actions for music", rather than an opera. It was Henze's 7th opera, originally written for The Royal Opera in London, and takes as its focus the horrors of war. The opera was first performed at the Royal Opera House, Covent Garden, London on 12 July 1976, with the composer as producer, Jürgen Henze as director, and David Atherton conducting. It was subsequently staged at the Deutsche Oper Berlin, and received its first American performance at Santa Fe Opera in 1984, conducted by Dennis Russell Davies. The opera is notable for its complex staging, including a large cast of 111 roles covered by over 50 singers, with doubling of roles and three separate instrumental ensembles, including a percussionist who actually performs among the singers on stage. The scholar Robert Hatten has noted the mix of musical styles that Henze has employed, ranging from 'atonal to neoclassically tonal'. Although the subject matter of war would usually indicate a realistic treatment, Henze calls for three separate stages, and urges producers to avoid realism in the costuming. The Emperor's role is written for a mezzo-soprano voice – thus the abstract Emperor becomes the embodiment of evil. The use of typically romantic coloraturas for the role of Rachel is another device to remove a character from realism into abstraction – in this case, the sycophantic nature of Rachel. Despite the vast forces required to perform the work, Henze asks for the utmost simplicity in production values.