Viola sonata
http://dbpedia.org/resource/Viola_sonata an entity of type: Thing
ヴィオラ・ソナタは、ヴィオラのためのソナタ。ピアノとの二重奏ソナタが多いが、無伴奏のヴィオラ・ソナタも近現代には数多く作曲されている。なおこの項では、作曲家によって「ソナタ」と銘打たれていない独奏ヴィオラのための作品も取り扱うものとする。
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Une sonate pour alto est une sonate pour alto, parfois avec d'autres instruments, ordinairement le piano. Les plus anciennes sonates pour alto sont difficiles à dater pour plusieurs raisons :
* À l'époque baroque, il y avait beaucoup d’œuvres écrites pour la viole de gambe, y compris des sonates (les plus connues étant les trois de Johann Sebastian Bach), jouées le plus souvent au violoncelle de nos jours.
* Durant la période classique et au début de la période romantique, il y avait peu d’œuvres écrites spécifiquement pour l'alto en tant qu'instrument solo et parmi celles-ci, ainsi celles de la famille Stamitz par exemple, un certain nombre avaient été composées pour la viole d'amour comme la plupart de leurs œuvres pour alto - bien qu'il soit à présent courant de les jouer à l'alto. Il
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The viola sonata is a sonata for viola, sometimes with other instruments, usually piano. The earliest viola sonatas are difficult to date for a number of reasons:
* in the Baroque era, there were many works written for the viola da gamba, including sonatas (the most famous being Johann Sebastian Bach's three, now most often played on the cello)
* in the Classical era and early Romantic, there were few works written with viola specifically in mind as solo instrument, and many of these, like those of the Stamitz family, may have been written for the viola d'amore, like most of their viola works—though it is now customary to play them on the viola; it was more typical to publish a work or set, like George Onslow's opus 16 cello sonatas, or Johannes Brahms's opus 120 clarinet sonatas in the
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La sonata per viola è un genere cameristico che prevede in organico la viola sola o con accompagnamento di pianoforte o con altri strumenti musicali. Si tratta di un genere non particolarmente comune, per via della scarsa attenzione tributata in passato dai compositori alla viola come strumento solistico, atteggiamento mutato solo dall'inizio del XX secolo. Tra i primi esempi di sonata per viola vi è quella di Boccherini, seguita da diverse sonate del periodo classico, tra le quali quella di Hummel e le sonate di Stamitz, Dittersdorf, Vanhal e altri compositori del Classicismo.
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Sonata per viola
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Sonate pour alto
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ヴィオラソナタ
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Viola sonata
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1137981
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1111396446
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Une sonate pour alto est une sonate pour alto, parfois avec d'autres instruments, ordinairement le piano. Les plus anciennes sonates pour alto sont difficiles à dater pour plusieurs raisons :
* À l'époque baroque, il y avait beaucoup d’œuvres écrites pour la viole de gambe, y compris des sonates (les plus connues étant les trois de Johann Sebastian Bach), jouées le plus souvent au violoncelle de nos jours.
* Durant la période classique et au début de la période romantique, il y avait peu d’œuvres écrites spécifiquement pour l'alto en tant qu'instrument solo et parmi celles-ci, ainsi celles de la famille Stamitz par exemple, un certain nombre avaient été composées pour la viole d'amour comme la plupart de leurs œuvres pour alto - bien qu'il soit à présent courant de les jouer à l'alto. Il était habituel de publier une œuvre ou un ensemble, comme les sonates pour violoncelle op. 16 de George Onslow, ou les sonates pour clarinette op.120 de Johannes Brahms à la fin du XIXe siècle, qui indiquaient expressément l'alto comme possible alternative à l'instrument pour lequel avait été composée la sonate donnée. On trouve comme exceptions la sonate pour alto de Felix Mendelssohn (1824, publiée à titre posthume en 1966) et la sonate opus 1 du compositeur (1832-1910), publiée en 1854.
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The viola sonata is a sonata for viola, sometimes with other instruments, usually piano. The earliest viola sonatas are difficult to date for a number of reasons:
* in the Baroque era, there were many works written for the viola da gamba, including sonatas (the most famous being Johann Sebastian Bach's three, now most often played on the cello)
* in the Classical era and early Romantic, there were few works written with viola specifically in mind as solo instrument, and many of these, like those of the Stamitz family, may have been written for the viola d'amore, like most of their viola works—though it is now customary to play them on the viola; it was more typical to publish a work or set, like George Onslow's opus 16 cello sonatas, or Johannes Brahms's opus 120 clarinet sonatas in the late 19th century, that specified the viola as an alternate. Two early exceptions were the viola sonata of Felix Mendelssohn (1824, posthumously published in 1966) and the opus 1 sonata of the composer Ernst Naumann (1832–1910), published in 1854.
* The viola returned to a solo role in the 20th century. Max Reger wrote three sonatas for either clarinet or viola at the beginning of the century. Paul Hindemith, himself a viola virtuoso, composed works several sonatas for viola solo, and others for viola and piano such as the Sonata for Viola and Piano, Op. 11 No. 4 in 1919. Rebecca Clarke composed the Sonata for viola and piano the same year. Bax's Viola Sonata, written (like Walton's concerto) for the great English viola player Lionel Tertis in 1923, is one of his most-played and oft-recorded chamber works. Mieczysław Weinberg wrote four viola sonatas between 1971 and 1983. The Sonata for Viola and Piano, Op. 147, is the last composition by Dmitri Shostakovich, completed in July 1975 and dedicated to Fyodor Druzhinin. György Ligeti wrote his Sonata for Solo Viola between 1991 and 1994.
* In the 21st century, Graham Waterhouse wrote a viola sonata entitled Sonata ebraica , completed in 2013.
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La sonata per viola è un genere cameristico che prevede in organico la viola sola o con accompagnamento di pianoforte o con altri strumenti musicali. Si tratta di un genere non particolarmente comune, per via della scarsa attenzione tributata in passato dai compositori alla viola come strumento solistico, atteggiamento mutato solo dall'inizio del XX secolo. Tra i primi esempi di sonata per viola vi è quella di Boccherini, seguita da diverse sonate del periodo classico, tra le quali quella di Hummel e le sonate di Stamitz, Dittersdorf, Vanhal e altri compositori del Classicismo. Nel corso del primo romanticismo il genere è stato nuovamente abbandonato, e tra le poche eccezioni vi sono la sonata di Mendelssohn, composizione giovanile che tuttavia sarebbe stata pubblicata solo oltre un secolo dopo la morte del compositore, l'incompleta , le sonate di Naumann e Vieuxtemps. Tra le composizioni da camera vi sono anche i Märchenbilder di Schumann, che non sono esattamente una sonata canonica quanto un insieme di pezzi caratteristici. Nel Novecento è nato il vero interesse per la viola come strumento solistico e sono state composte un gran numero di sonate per viola, tra le quali quelle di Paul Hindemith, Rebecca Clarke, Max Reger, Bohuslav Martinů, Darius Milhaud, Nino Rota, Aram Chačaturjan, György Ligeti.
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ヴィオラ・ソナタは、ヴィオラのためのソナタ。ピアノとの二重奏ソナタが多いが、無伴奏のヴィオラ・ソナタも近現代には数多く作曲されている。なおこの項では、作曲家によって「ソナタ」と銘打たれていない独奏ヴィオラのための作品も取り扱うものとする。
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13980