Trio for Violin, Horn and Piano (Ligeti)
http://dbpedia.org/resource/Trio_for_Violin,_Horn_and_Piano_(Ligeti) an entity of type: Thing
El Trío para violín, trompa y piano es una obra del compositor del húngaro György Ligeti finalizada en 1982 y escrita como un homenaje a Johannes Brahms, quien compuso un trío para esta misma formación.
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Le trio pour violon, cor et piano de György Ligeti fut achevé en 1982. Il est intitulé « Hommage à Brahms », en référence au trio pour cor, violon et piano opus 40 de Brahms composé pour la même formation.
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The Trio for Violin, Horn and Piano by György Ligeti was completed in 1982. The piece was a turning point in Ligeti’s career. Ligeti had composed little since he completed his opera, Le Grand Macabre, in 1977, having only finished a few smaller pieces, like Hungarian Rock (chaconne) and Passacaglia ungherese for harpsichord. Influenced by sources as diverse as sub-Saharan African drumming, the music of Conlon Nancarrow, and the piano music of Chopin and Schumann, the Trio is considered to be the watershed moment that opened up his "third way," a style that Ligeti claimed to be neither modern nor postmodern.
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Trío para violín, trompa y piano (Ligeti)
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Trio pour violon, cor et piano (Ligeti)
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Trio for Violin, Horn and Piano (Ligeti)
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Trio for Violin, Horn and Piano
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17549724
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1003995501
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1982
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1260.0
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György Ligeti in 1984
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Four
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1982-08-07
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Bergedorf Castle, Hamburg
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Eckart Besch
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Hommage à Brahms
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El Trío para violín, trompa y piano es una obra del compositor del húngaro György Ligeti finalizada en 1982 y escrita como un homenaje a Johannes Brahms, quien compuso un trío para esta misma formación.
rdf:langString
Le trio pour violon, cor et piano de György Ligeti fut achevé en 1982. Il est intitulé « Hommage à Brahms », en référence au trio pour cor, violon et piano opus 40 de Brahms composé pour la même formation.
rdf:langString
The Trio for Violin, Horn and Piano by György Ligeti was completed in 1982. The piece was a turning point in Ligeti’s career. Ligeti had composed little since he completed his opera, Le Grand Macabre, in 1977, having only finished a few smaller pieces, like Hungarian Rock (chaconne) and Passacaglia ungherese for harpsichord. Influenced by sources as diverse as sub-Saharan African drumming, the music of Conlon Nancarrow, and the piano music of Chopin and Schumann, the Trio is considered to be the watershed moment that opened up his "third way," a style that Ligeti claimed to be neither modern nor postmodern. Ligeti wrote the Trio at the suggestion of pianist Eckart Besch as a companion to Johannes Brahms' Horn Trio, one of the few other examples in the genre, which is why the Ligeti Trio is marked Hommage à Brahms. Ligeti recalled his reaction to the suggestion: "[a]s soon as he pronounced the word 'horn' somewhere inside my head I heard the sound of a horn as if coming from a distant forest in a fairy tale, just as in a poem by Eichendorff."
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6373