Trans (Stockhausen)
http://dbpedia.org/resource/Trans_(Stockhausen) an entity of type: Thing
Trans est une composition pour orchestre et bande magnétique du compositeur allemand Karlheinz Stockhausen, écrite en 1971. Elle porte le numéro 35 dans le catalogue des œuvres du compositeur. Stockhausen considérait Trans comme une œuvre importante, un travail clé et un tout nouveau commencement – une « pièce transcendantale ».
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Trans is a composition for orchestra and tape by the German composer Karlheinz Stockhausen, written in 1971. It is Number 35 in the composer's catalog of works. Trans is as much a work of theatre as it is a musical composition. It has a somnolent, irrational look and feel, for the simple reason that it is the representation of a dream. Stockhausen regarded it as an important work for himself, a key work and a whole new beginning—a "transcendental piece".
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Trans (Stockhausen)
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Trans (Stockhausen)
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27006456
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1123072343
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--11-09
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Frisius, Rudolf. 2008. Karlheinz Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts". Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International. .
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Maconie, Robin. 2005. Other Planets: The Music of Karlheinz Stockhausen. Lanham, Maryland, Toronto, Oxford: Scarecrow Press. .
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Kurtz, Michael. 1992. Stockhausen: A Biography, translated by Richard Toop. London and Boston: Faber and Faber. .
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Cott, Jonathan. 1973. Stockhausen: Conversations with the Composer. New York: Simon and Schuster. .
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Toop, Richard. 2005. Six Lectures from the Stockhausen Courses Kürten 2002. Kürten: Stockhausen-Verlag. .
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Walsh, Stephen. 1973. "Stockhausen Takes over Metz". The Times : 11.
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Stockhausen, Karlheinz. 1998c. "Einweihung des neuen Conservatoire National Supérieur de Musique in Paris", in his Texte zur Musik 7. Edited by Christoph von Blumröder, 207–209. Kürten: Stockhausen-Verlag. .
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Heyworth, Peter. 1971. "One of the Outstanding Scores of Its Time". The New York Times : D15, 37.
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Stockhausen, Karlheinz. 1998b. "Briefwechsel mit dem Freiburger Philharmonischen Orchester", in his Texte zur Musik 7. Edited by Christoph von Blumröder, 199–206. Kürten: Stockhausen-Verlag. .
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Hewett, Ivan. 2008. "Thrilling Cosmos of Sound: Klang: Stockhausen Festival, Queen Elizabeth Hall". The Daily Telegraph .
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Lonchampt, Jacques. 1971. "Journées orientales". Le Monde : 27.
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Toop, Richard. 1976. "O alter Duft: Stockhausen and the Return to Melody". Studies in Music 10:79–97.
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Maconie, Robin. 2016. Other Planets: The Complete Works of Karlheinz Stockhausen 1950–2007, updated edition. Lanham, Maryland, and London: Rowman & Littlefield. .
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Stockhausen, Karlheinz. 1978b. "Interview I: Gespräch mit holländischem Kunstkreis", in his Texte zur Musik 4. Edited by Christoph von Blumröder, 478–549. DuMont Dokumente. Cologne: DuMont Buchverlag. .
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Herbort, Heinz Josef. 1971. "Träumerei von Stockhausen: Donaueschinger Musiktage 1971: Theorie und Praxis des Orchestermusikers". Die Zeit 1971, no. 43 .
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Toop, Richard. 2008. "Dreamworks". In Gedenkschrift für Stockhausen, edited by Suzanne Stephens and Kathinka Pasveer, 194–201. Kürten: Stockhausen-Stiftung für Musik. .
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Stockhausen, Karlheinz. 1978a. "Trans für Orchester ", in his Texte zur Musik 4. edited by Christoph von Blumröder, 181–184. DuMont Dokumente. Cologne: DuMont Buchverlag. .
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Morrison, Richard. 2008. "Concert: Klang, Queen Elizabeth Hall". The Times .
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Stockhausen, Karlheinz. 1998a. "Tonband-Version von TRANS in Gefahr", in his Texte zur Musik 7. Edited by Christoph von Blumröder, 195–198. Kürten: Stockhausen-Verlag. .
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Trans est une composition pour orchestre et bande magnétique du compositeur allemand Karlheinz Stockhausen, écrite en 1971. Elle porte le numéro 35 dans le catalogue des œuvres du compositeur. Stockhausen considérait Trans comme une œuvre importante, un travail clé et un tout nouveau commencement – une « pièce transcendantale ».
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Trans is a composition for orchestra and tape by the German composer Karlheinz Stockhausen, written in 1971. It is Number 35 in the composer's catalog of works. Trans is as much a work of theatre as it is a musical composition. It has a somnolent, irrational look and feel, for the simple reason that it is the representation of a dream. Stockhausen regarded it as an important work for himself, a key work and a whole new beginning—a "transcendental piece".
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23987
