The Sydney Front

http://dbpedia.org/resource/The_Sydney_Front an entity of type: Thing

Sydney Front was an Australian performance group formed in 1986 particularly known for integrating the audience into their productions. They combining elements of performance art and experimental theatre in their work. In 1999 John McCallum, theatre critic in The Australian newspaper wrote,'The Sydney Front is still Australia's most influential contemporary performance company, although they disbanded in 1993. A two DVD set and streaming program, Staging the Audience: The Sydney Front documenting The Sydney Front's work was released by Artfilms in 2012. rdf:langString
rdf:langString The Sydney Front
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rdf:langString Sydney Front was an Australian performance group formed in 1986 particularly known for integrating the audience into their productions. They combining elements of performance art and experimental theatre in their work. In 1999 John McCallum, theatre critic in The Australian newspaper wrote,'The Sydney Front is still Australia's most influential contemporary performance company, although they disbanded in 1993. The core of the group were performers John Baylis, Andrea Eloise, Clare Grant, Nigel Kellaway and Chris Ryan. Kellaway had been the first Australian to train with Japanese director Tadashi Suzuki. Premiering many of their works at the Performance Space, Sydney, they toured the UK, Europe and Hong Kong. Their work The Pornography of Performance became a cause célèbre when it was performed at London's Riverside Studios. Along with the work of the Wooster Group and Forced Entertainment, Sydney Front were cited as Anglophonic examples of postdramatic theatre in the English edition of Hans-Thies Lehmann's Postdramatic Theatre, 2006. The group briefly reformed in 2004 to perform at the 21st birthday event for the Performance Space in Sydney. A two DVD set and streaming program, Staging the Audience: The Sydney Front documenting The Sydney Front's work was released by Artfilms in 2012.
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