The Night of Counting the Years

rdf:langString The Night of Counting the Years

rdf:langString The Night of Counting the Years

rdf:langString The Night of Counting the Years

rdf:langString Theatrical release poster

rdf:langString Egypt

rdf:langString Merchant Ivory Productions

rdf:langString General Egyptian Cinema Organisation

rdf:langString Shadi Abdel Salam

rdf:langString The Night of Counting the Years, also released in Arabic as The Mummy (Arabic: Al-Mummia المومياء), is a 1969 Egyptian film and the only feature film directed by Shadi Abdel Salam. The film was selected as the Egyptian entry for the Best Foreign Language Film at the 43rd Academy Awards, but was not accepted as a nominee. It is the 3rd on the list of Top 100 Egyptian films. It remains one of the best examples of neo-realism in Egyptian cinema. Other notable examples include Youssef Chahine's Al Ard (The Earth, 1968) and Al Usfur(The Sparrow, 1972) as well as Tewfik Saleh’s The Dupes(Al Makhdu'un, 1973). Produced by Roberto Rossellini, who was instrumental in encouraging Abdel Salam to make the film, The Night of the Changing Years tells a story set among the grave robbers of Kurna in Upper Egypt. "Shadi Abdel Salam's The Mummy was the forerunner of what was to become the hallmark of the new realism, namely, the preoccupation with the search for identity and the relationship between heritage and character." The relationship between contemporary and Ancient Egypt is dealt with allegorically in the film. The static images of landscape and the rigid expressions of the main characters reflect those of the statues and reliefs found in Ancient Egypt. The use of classical Arabic, not Egyptian dialect which is normally used in Egyptian cinema, reinforces the impression of monumentalism. The unrestrained sacking of the tombs is represented as a danger, threatening moral decline by inviting greed and sex to undermine the dignity of the tribe and its traditions, replacing the order of the world with chaos. Shadi Abdel Salam has said that his task was to remind Egyptians of their own history: "I think that the people of my country are ignorant of our history and I feel that it is my mission to make them know some of it. I regard cinema not as a consumerist art, but as a historical document for the next generations." Although he went on to direct short fiction and documentaries, The Night of the Changing Years remains Abdel Salam's only full length feature film.