The Last Betrothal

http://dbpedia.org/resource/The_Last_Betrothal an entity of type: Thing

Les Dernières Fiançailles est un film de Jean Pierre Lefebvre produit en 1973. rdf:langString
The Last Betrothal (French: Les dernières fiançailles) is a Canadian drama film, directed by Jean Pierre Lefebvre and released in 1973. The film stars and as Armand and Rose Tremblay, an elderly couple who have been married for fifty years and are living their final days together as Armand is terminally ill; however, Rose has secretly vowed to die at the same time as Armand, so that she will never have to live without him. The cast also includes Marcel Sabourin as Armand's doctor. The film opened theatrically in December 1973. rdf:langString
rdf:langString Les Dernières Fiançailles
rdf:langString The Last Betrothal
rdf:langString The Last Betrothal
rdf:langString The Last Betrothal
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rdf:langString Canada
rdf:langString Cinema Libre
rdf:langString Marguerite Duparc
rdf:langString French
rdf:langString Andrée Paul
rdf:langString Bernard Lalonde
<second> 5520.0
rdf:langString J. Léo Gagnon
rdf:langString Marthe Nadeau
rdf:langString Cinak
rdf:langString Productions Prisma
rdf:langString Jean-Pierre Lefebvre
rdf:langString Les Dernières Fiançailles est un film de Jean Pierre Lefebvre produit en 1973.
rdf:langString The Last Betrothal (French: Les dernières fiançailles) is a Canadian drama film, directed by Jean Pierre Lefebvre and released in 1973. The film stars and as Armand and Rose Tremblay, an elderly couple who have been married for fifty years and are living their final days together as Armand is terminally ill; however, Rose has secretly vowed to die at the same time as Armand, so that she will never have to live without him. The cast also includes Marcel Sabourin as Armand's doctor. The film opened theatrically in December 1973. It was screened in the Directors Fortnight program at the 1974 Cannes Film Festival, and was the 1974 winner of the Prix de l'Organisation catholique internationale du cinéma for the best film on spiritual and religious themes. It was later screened at the 1984 Festival of Festivals as part of Front & Centre, a retrospective program of important films from throughout Canadian film history.
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