The Harpoon
http://dbpedia.org/resource/The_Harpoon an entity of type: WikicatBBCRadio4Programmes
The Harpoon was a BBC Radio 4 series broadcast between 1991 and 1994, written by Julian Dutton and Peter Baynham. It consisted of three four-part series and two Christmas specials, and was performed by Julian Dutton, Peter Baynham, Susie Brann, Alistair McGowan and Mary Elliott-Nelson. It was produced ("on stretched goat's vellum") by Sarah Smith, the series was nominated for a British Comedy Award for Best Radio Comedy in 1992.
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The Harpoon
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The Harpoon was a BBC Radio 4 series broadcast between 1991 and 1994, written by Julian Dutton and Peter Baynham. It consisted of three four-part series and two Christmas specials, and was performed by Julian Dutton, Peter Baynham, Susie Brann, Alistair McGowan and Mary Elliott-Nelson. It was produced ("on stretched goat's vellum") by Sarah Smith, the series was nominated for a British Comedy Award for Best Radio Comedy in 1992. The programme was a spoof of boys' comics from the Empire days of the 20th century, "a magazine for young and old across the English-speaking world" featuring "Your old chum" the Editor (McGowan) presenting regular features, adventure stories, practical advice, readers letters, etc., complete with advertisements. An enthusiastic young reader (Baynham) could be heard turning (and once accidentally tearing) the pages and occasionally commenting. Much of the humour rested upon anachronistic, politically incorrect attitudes towards such topics as education, class, sex, race, war, and the avuncular, paternalistic style adopted by interwar boys' publications like the Boy's Own Paper in addressing their readers. The reference to whaling in the title was underscored by the illustrated front cover of the magazine, i.e. the opening music/sound effects of the programme. Writing and performances on The Harpoon were of high quality, as was technical production, using 'authentic' voices, sound effects, and music to evoke the era and create the impression of a magazine being read. No commercial release of recordings was made, probably because of the use of copyright music, although episodes from all three series are regularly repeated on BBC Radio 4 Extra.
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