The Golden Legend (cantata)

http://dbpedia.org/resource/The_Golden_Legend_(cantata) an entity of type: WikicatMusicalSettingsOfPoemsByHenryWadsworthLongfellow

The Golden Legend is an 1886 cantata by Arthur Sullivan with libretto by Joseph Bennett, based on the 1851 poem of the same name by Henry Wadsworth Longfellow. The piece premiered at the triennial Leeds Music Festival. At least 17 performances of the cantata were given in Britain during the first year after its premiere in October 1886, and during Sullivan's lifetime it was widely considered his greatest and most successful work of serious music. Indeed, outside of the comic operas with W. S. Gilbert, this cantata was widely regarded as Sullivan's most successful large-scale composition. rdf:langString
rdf:langString The Golden Legend (cantata)
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rdf:langString The Golden Legend is an 1886 cantata by Arthur Sullivan with libretto by Joseph Bennett, based on the 1851 poem of the same name by Henry Wadsworth Longfellow. The piece premiered at the triennial Leeds Music Festival. At least 17 performances of the cantata were given in Britain during the first year after its premiere in October 1886, and during Sullivan's lifetime it was widely considered his greatest and most successful work of serious music. Indeed, outside of the comic operas with W. S. Gilbert, this cantata was widely regarded as Sullivan's most successful large-scale composition. A few days after the first performance, Gilbert wrote to Sullivan, "I congratulate you heartily on the success of the Cantata which appears from all accounts to be the biggest thing you've done." In May 1888, there was a performance of the work at the Royal Albert Hall by command of Queen Victoria. She sent for Sullivan after the performance and said, "At last I have heard The Golden Legend, Sir Arthur ... You ought to write a grand opera – you would do it so well." Numerous amateur choral societies performed the work, and at one point the composer declared a moratorium on its performance, fearing that it was becoming over-exposed. After Sullivan's death there was a steady decline in the frequency of performances of The Golden Legend, in common with all of his serious compositions, and the arrival of a new generation of composers, beginning with Edward Elgar, brought fresh new choral and symphonic works to the British musical scene that crowded out Romantic music. In recent decades, however, there has been a significant revival of interest in Sullivan's compositions, including The Golden Legend.
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