The Funeral of the Virgin Mary
http://dbpedia.org/resource/The_Funeral_of_the_Virgin_Mary
I Funerali della Vergine è un dipinto a olio su tela (665 x 345 cm) di Ludovico Carracci, databile tra il 1605 e 1609 e conservato presso la Galleria nazionale di Parma.
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The Funeral of the Virgin Mary is a 1605-1609 oil on canvas painting by Ludovico Carracci, now in the Galleria nazionale di Parma. Caracci produced this work, its pendant The Apostles at the Virgin's Tomb and other frescoes for the chancel of the Duomo di Piacenza, dedicated to the Virgin Mary. They were commissions from Claudio Rangoni, bishop and nobleman. Their dating is based on letters from the artist himself, who in 1606 wrote to Ferrante Carlo that he was to busy to send the painting he requested "having already begun a large work for the most illustrious Bishop of Piacenza". Following the Treaty of Tolentino and looting by Napoleon's troops, Funeral and Apostles were both taken to France in 1796. Only in 1816 were they and other works returned to Piacenza, where they were exhibited
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Funerali della Vergine
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The Funeral of the Virgin Mary
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64257707
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The Funeral of the Virgin Mary is a 1605-1609 oil on canvas painting by Ludovico Carracci, now in the Galleria nazionale di Parma. Caracci produced this work, its pendant The Apostles at the Virgin's Tomb and other frescoes for the chancel of the Duomo di Piacenza, dedicated to the Virgin Mary. They were commissions from Claudio Rangoni, bishop and nobleman. Their dating is based on letters from the artist himself, who in 1606 wrote to Ferrante Carlo that he was to busy to send the painting he requested "having already begun a large work for the most illustrious Bishop of Piacenza". Following the Treaty of Tolentino and looting by Napoleon's troops, Funeral and Apostles were both taken to France in 1796. Only in 1816 were they and other works returned to Piacenza, where they were exhibited in the new Galleria Ducale.
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I Funerali della Vergine è un dipinto a olio su tela (665 x 345 cm) di Ludovico Carracci, databile tra il 1605 e 1609 e conservato presso la Galleria nazionale di Parma.
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3231