Thank God for Mental Illness
http://dbpedia.org/resource/Thank_God_for_Mental_Illness an entity of type: Thing
Thank God for Mental Illness je páté studiové album americké psychedelicko-rockové kapely The Brian Jonestown Massacre. Po vydání alb Take It from the Man! a Their Satanic Majesties' Second Request v polovině roku 1996, které byly ovlivněny psychedelickou hudbou šedesátých let, nahrává kapela 11. června 1996 ve svém studiu v San Franciscu nové album s názvem Thank God for Mental Illness. Deska se natočila za necelých 18 dolarů. Thank God for Mental Illness vyšla znovu v roce 2007 na CD ve vydavatelství A Records Antona Newcomba a v roce 2016 vychází album poprvé na vinylu.
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Thank God for Mental Illness is the fifth studio album by American psychedelic rock band The Brian Jonestown Massacre. After releasing Take It from the Man! and Their Satanic Majesties' Second Request in mid-1996, both of which display influences from 1960s psychedelic music, departing from the band's earlier shoegaze sound, the band recorded Thank God for Mental Illness through "tangible custom lo-fi stereo" in their San Francisco home studio on July 11, 1996 with the budget of $17.36.
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Thank God for Mental Illness
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Thank God for Mental Illness
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Thank God for Mental Illness
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The Brian Jonestown Massacre, except where noted
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Alan O'Bryant cover
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"Mental Illness shows a portrait of a band in the midst of their creative peak , at a time when the songs just seemed to create themselves."
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1996-07-11
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1996-10-25
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Tiny Mix Tapes
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—Tiny Mix Tapes
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*I. "Fire Song"
*II. "Fuck Me For Fucking You"
*III. "Spun"
*IV. "Kid's Garden"
*V. "Wasted"
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Cause I Love Her
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Sound of Confusion"
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Thank God for Mental Illness je páté studiové album americké psychedelicko-rockové kapely The Brian Jonestown Massacre. Po vydání alb Take It from the Man! a Their Satanic Majesties' Second Request v polovině roku 1996, které byly ovlivněny psychedelickou hudbou šedesátých let, nahrává kapela 11. června 1996 ve svém studiu v San Franciscu nové album s názvem Thank God for Mental Illness. Deska se natočila za necelých 18 dolarů. Album je rozděleno do dvou částí a kromě psychedelie je zde také patrný vliv country, blues a folku. Jeden z kritiků okomentoval album slovy: "neuvěřitelně zvláštní a odvážný akustický počin." V první části alba se objevují převážně akustické skladby, zatímco druhá část je tvořená sérií písní a zvukových koláží, které jsou propojeny do jednoho celku s názvem "Sound of Confusion". Album vyšlo 25. října 1996 u vydavatelství Bomb! Records a bylo třetím a posledním dlouho hrajícím albem vydaném kapelou v tomto roce. Album bylo velice dobře přijato a přirovnáváno k akustickým deskám Boba Dylana. Album je považováno za jedno z nejlepších, které kapela ve své historii vydala. Thank God for Mental Illness vyšla znovu v roce 2007 na CD ve vydavatelství A Records Antona Newcomba a v roce 2016 vychází album poprvé na vinylu.
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Thank God for Mental Illness is the fifth studio album by American psychedelic rock band The Brian Jonestown Massacre. After releasing Take It from the Man! and Their Satanic Majesties' Second Request in mid-1996, both of which display influences from 1960s psychedelic music, departing from the band's earlier shoegaze sound, the band recorded Thank God for Mental Illness through "tangible custom lo-fi stereo" in their San Francisco home studio on July 11, 1996 with the budget of $17.36. The album shows another musical palette for the group, taking influence from country blues and psychedelic folk music, with one review calling it "an incredibly strange acoustic venture." The album is divided into two parts; the first part features mostly acoustic lo-fi songs of a short length, whilst the other half is a series of songs and pieces merged into one track named "Sound of Confusion", that features both regular songs and more abstract sound collages. Released on October 25, 1996 by record label Bomp!, it was the third and final full-length album released by the band in that year. The album title was lead singer Anton Newcombe's personal jab at personal insults towards himself. The album was critically acclaimed and was hailed for, among numerous points, its lo-fi quality and influences. Several critics drew out comparisons to Bob Dylan. The album has since been hailed as one of the band's greatest, and Newcombe's own record label A Records re-released the album on CD in 2007 and on LP in 2016, the latter marking the first time it was issued on LP.
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