Terror Australis

rdf:langString Terror Australis

rdf:langString Sydney

rdf:langString Australia

rdf:langString Leigh Blackmore, Christopher Sequeira and Bryce J. Stevens

rdf:langString Editors

rdf:langString irregular

rdf:langString The cover of Terror Australis Issue 3 .

rdf:langString English

rdf:langString R'lyeh Texts

rdf:langString Terror Australis: the Australian Horror and Fantasy Magazine (1988–1992) was Australia's first mass market horror magazine. It succeeded the Australian Horror and Fantasy Magazine (1984–87) edited by (who has gone on to publish novels as B. Michael Radburn) and . AH&FM was the first semi-professional magazine of its kind in Australia to pay authors. After working on the production crew of AH&FM, when Radburn eventually suspended publication, Leigh Blackmore took over the subscription base and with co-editors Chris G.C. Sequeira and Bryce J. Stevens founded Terror Australis. Kevin Dillon, a longtime Australian sf fan who had belonged to the Australian Futurians had the role of 'Special Consultant' for financial support and proofreading work on the magazine. "Australia has never produced a straight fantasy magazine, though in 1970 Sword and Sorcery, a putative companion to Ronald E Graham's Vision of Tomorrow, reached dummy stage before a poor financial deal killed it. Void (5 issues 1975-1977), an sf magazine, published occasional fantasy. Not until The Australian Horror and Fantasy Magazine (5 issues Summer 1984-Fall 1985) did a specialist publication emerge in the small-press field, though it concentrated mostly on horror, in imitation of Weird Tales. The same applied to Terror Australis (3 issues Fall 1988-Summer 1992), which emphasized graphic visceral horror." "Terror Australis was launched in autumn 1988 and was more ambitious than AH&FM. The first issue, printed in Sydney, was a mammoth 170 pages and its fiction content was almost entirely Australian. [1] The second issue, printed privately on a printing press owned by artist Kurt Stone, followed about July 1990, almost two years after the first, and despite its less than satisfactory physical appearance, was well received. Issue 2 was the only issue distributed to newsagents, via Wrapaway Distribution. The third issue, published in February 1992, Issue 3 was themed as a Jack the Ripper special and contained stories of 'Ripperiana' together with media guides and non-fiction bibliographies around Ripper-based material. [2]. Issue 3 overcame all the production problems evident with the earlier issues. It was professionally typeset by a Queensland printer, printed on quality paper and perfect bound with a glossy cover. It was also the final issue. While Terror Australis was primarily a horror magazine, it published a number of well-regarded dark fantasy stories, including work by Rick Kennett, Frances Burke, Graeme Parsons and Steven Paulsen."

rdf:langString The cover of Terror Australis Issue 3 (Special Jack the Ripper issue).

rdf:langString Editors