Te Maori

rdf:langString Te Maori

rdf:langString Te Maori (sometimes Te Māori in modern sources) was a watershed exhibition of Māori art in 1984 (later continued to 1985, 1986 and 1987). It is notable as the first occasion on which Māori art had been exhibited by Māori, and also the first occasion on which Māori art was shown internationally as art. In retrospect it is seen as a milestone in the Māori Renaissance. In the colonial period, many Māori objects, including art, domestic objects and human remains (particularly Mokomokai) were widely collected by explorers, missionaries and scientists and were lost to the communities which had created them; largely they were lost to large European collection institutions such as the London Science Museum the Victoria and Albert Museum and the Pitt Rivers Museum at Oxford. This alienation meant that Māori regarded many Pākeha (Western) cultural institutions with considerable skepticism and overcoming this skepticism to allow objects to be borrowed for exhibition made Te Maori a milestone. The project was driven by Secretary for Maori Affairs, Kara Puketapu, under the auspices of the Queen Elizabeth II Arts Council with funding from Mobil. Prominent Māori leader Hirini Moko Mead was co-curator of the exhibition. The exhibition started at the Metropolitan Museum of Art (the Met) in New York on 10 September 1984. Part of the exhibition was carefully held practices and values guided by Māori tikanga. This included a dawn ceremony, traditional karakia, speeches in the Māori language, waiata and kapa haka. Mead described the effect at the prestigious institution of the Met, "It did much to make tikanga Māori more acceptable not only to the population at large of Aotearoa but, more importantly, among our own people." In the United States, Te Maori was also presented at Saint Louis Art Museum (February–May 1985), the M. H. de Young Memorial Museum in San Francisco (July–September 1985), and the Field Museum in Chicago (March–June 1986). Te Maori: Te Hokinga Mai, the New Zealand leg of the exhibition, toured Wellington, Christchurch, Dunedin, and finally ended in Auckland on 10 September 1987, three years to the day after opening at the Met. The exhibition was very well received, both at home and abroad. The impact of the exhibition is described by the late museum ethnologist Robert Neich: The effect of Te Māori has been so pervasive that its influence cannot be avoided. (Robert Neich 1985)