Tallahassee (album)
http://dbpedia.org/resource/Tallahassee_(album) an entity of type: Thing
Tallahassee is the seventh studio album by the Mountain Goats. It was the band's second new album to be released in 2002, and it marked quite a few changes. After releasing records (and cassettes) on small record labels such as Shrimper, Ajax, and Emperor Jones, Tallahassee was the first Mountain Goats album to be released on a widely known independent label, the British alternative rock label 4AD. It was also the first Mountain Goats album to have an official single released, for the song "See America Right."
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Tallahassee (album)
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Tallahassee
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Tallahassee-Mountain_GoatsX_The_480.jpg
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Tallahassee track listing
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--11-25
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2004
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2002
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Tarbox Studios
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2002-11-05
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Los Angeles Times
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Rolling Stone
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The Guardian
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The Village Voice
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Mojo
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Now
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Pitchfork
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Spin
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Uncut
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A
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Tallahassee
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Idylls of the King
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First Few Desperate Hours
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Game Shows Touch Our Lives
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Have to Explode
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International Small Arms Traffic Blues
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Oceanographer's Choice
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Old College Try
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Peacocks
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See America Right
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Southwood Plantation Road
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The House That Dripped Blood
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Alpha Rats Nest
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Tallahassee is the seventh studio album by the Mountain Goats. It was the band's second new album to be released in 2002, and it marked quite a few changes. After releasing records (and cassettes) on small record labels such as Shrimper, Ajax, and Emperor Jones, Tallahassee was the first Mountain Goats album to be released on a widely known independent label, the British alternative rock label 4AD. It was also the first Mountain Goats album to have an official single released, for the song "See America Right." Tallahassee is the first record to feature what could be considered a full "band," with fuller instrumentation and a percussion section. Up to this point, most recordings under the Mountain Goats name have either been solo recordings by leader John Darnielle or higher-quality recordings featuring Rachel Ware on bass, and other supporting instrumentalists. On Tallahassee, Darnielle is joined by two past collaborators, multi-instrumentalists Peter Hughes and Franklin Bruno. It was co-produced, recorded, and mixed by producer Tony Doogan at Tarbox Studios in Cassadaga, New York, assisted by Michael Ivins of The Flaming Lips. The album was recorded in six days.
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