Sweetheart of the Rodeo
http://dbpedia.org/resource/Sweetheart_of_the_Rodeo an entity of type: Thing
Sweetheart of the Rodeo je šesté studiové album americké rockové skupiny The Byrds, vydané v srpnu 1968 u vydavatelství Columbia Records. Nahráno bylo nejprve v březnu 1968 ve studiu Columbia Studios v Nashville v Tennessee a znovu od dubna do května toho roku ve studiu Columbia Studios v Hollywoodu v Kalifornii. Producentem alba byl . Jde o první album skupiny, na kterém nehráli původní členové David Crosby a Michael Clarke, kteří odešli během nahrávání předchozího alba. Po vydání tohoto alba ze skupiny odešel i Chris Hillman a na dalším albu hrál z původní sestavy jen Roger McGuinn.
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Sweetheart of the Rodeo est le sixième album du groupe de rock américain The Byrds, sorti en 1968. Il mêle des influences bluegrass, folk et country. Il a été classé 117e dans la liste des 500 meilleurs albums de tous les temps du magazine Rolling Stone en 2003, et en 120e position du classement 2012. Il est également cité dans l'ouvrage de référence de Robert Dimery Les 1001 albums qu'il faut avoir écoutés dans sa vie et dans un bon nombre d'autres listes.
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Sweetheart of the rodeo is het zesde studioalbum van de Amerikaanse folk rock band The Byrds. Op dit album spelen the Byrds countrymuziek, onder invloed van het nieuwe bandlid Gram Parsons. Het album wordt door critici beschouwd als invloedrijk en baanbrekend.
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『ロデオの恋人』(ロデオのこいびと、Sweetheart of the Rodeo)は、1968年にリリースされた、バーズの6作目のスタジオ・アルバム。
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Sweetheart of the Rodeo ist das sechste Studioalbum der US-amerikanischen Folk-Rock-Band The Byrds; ihr 7. Album insgesamt. Es erschien am 29. Juli 1968 bei Columbia Records. In den Vereinigten Staaten erreichte das Album Platz 77 der Pop-Charts. Trotz der eher enttäuschenden Verkaufszahlen des Albums gilt Sweetheart of the Rodeo als eines der einflussreichsten Alben der Rockgeschichte, da es ein ganzes Genre, den Country-Rock, einer breiten Masse bekannt machte.
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Sweetheart of the Rodeo (en españolː Cariño del Rodeo) es el sexto álbum de la banda estadounidense de folk rock The Byrds. Fue lanzado en agosto de 1968 por Columbia Records y significó su segundo álbum del año. Se considera uno de los álbumes de country más influyentes de la historia del género. Generó dos sencillos de aceptación mixtaː Un modesto You Ain't Goin' Nowhere, cover de Bob Dylan, y I Am a Pilgrim, que no trascendió en las listas. Fue incluido en varios listados importantes, como el RS500 en el 2003 y 2012, y los 1001 Álbumes que debes oír antes de morir.
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Sweetheart of the Rodeo is the sixth album by American rock band the Byrds and was released in August 1968 on Columbia Records. Recorded with the addition of country rock pioneer Gram Parsons, it became the first album widely recognized as country rock and represented a stylistic move away from the psychedelic rock of the band's previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre to that point in time. The album was responsible for bringing Parsons, who had joined the Byrds in February 1968 prior to the start of recording, to the attention of a mainstream rock audience for the first time. Thus, the album is an important chapter in Pa
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Sweetheart of the Rodeo è il sesto album del gruppo folk rock statunitense The Byrds, pubblicato negli Stati Uniti il 30 agosto del 1968 dalla Columbia Records. Registrato con l'apporto del pioniere della musica country rock Gram Parsons, il disco è storicamente importante in quanto primo album country-rock prodotto da un gruppo affermato, e per essere un radicale cambio stilistico rispetto alle sonorità rock psichedeliche dei precedenti album dei Byrds. La band aveva già occasionalmente fatto esperimenti in passato con il country, incorporando nei precedenti dischi qualche traccia in quello stile, ma Sweetheart of the Rodeo rappresentò la loro piena e totale immersione in questo genere musicale.
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《Sweetheart of the Rodeo》는 미국의 록 밴드 버즈의 여섯 번째 음반으로 1968년 8월 컬럼비아 레코드에서 발매되었다. 컨트리 록의 선구자 그램 파슨스의 가세로 녹음된 이 음반은 컨트리 록으로 널리 인정받은 첫 번째 메이저 음반이 되었고 밴드의 이전 음반인 《The Notorious Byrd Brothers》의 사이키델릭 록에서 벗어난 스타일적인 움직임을 나타냈다. 버즈는 그들의 이전 네 장의 음반에서 컨트리 음악을 가끔 실험했지만, 《Sweetheart of the Rodeo》는 그 시점까지 이 장르에 완전히 몰입하는 모습을 보여주었다. 이 음반은 또한 음반의 녹음에 앞서 1968년 2월 버즈로 합류한 파슨스를 처음으로 주류 록 관객들의 관심을 받게 하는 역할을 했다. 따라서, 이 음반은 젊은 청중들에게 컨트리 음악을 유행시키기 위한 파슨스의 개인적이고 음악적인 십자군 운동의 중요한 장이다.
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Sweetheart of the Rodeo är det amerikanska folkrockbandet The Byrds sjätte album, släppt 29 juli 1968. Albumet, som blandade country- och rockmusik, var inte det första i sitt slag, men däremot det första som kom att nå ut till en bredare allmänhet. Countryrockpionjären Gram Parsons hade här blivit medlem i gruppen, och det är mycket tack vare hans passion för country som albumet fått sitt djupa countryrock-sound. Albumet nådde Billboardlistans 77:e plats, gruppens dittills sämsta placering. Countrygruppen Sweethearts of the Rodeo tog sitt artistnamn från detta musikalbum.
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ロデオの恋人
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With its mix of country and soul music, "You Don't Miss Your Water" provides an example of Gram Parsons' concept of "Cosmic American Music". The song is also one of three on the album to have had its original Parsons' vocal replaced by Roger McGuinn prior to release.
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A sample of The Byrds' cover of Bob Dylan's "You Ain't Goin' Nowhere". The inclusion of two Dylan songs on Sweetheart of the Rodeo helped to forge a link with the band's earlier folk-rock incarnation.
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An excerpt from "Hickory Wind" featuring Gram Parsons harmonizing with Chris Hillman. The contributions of Lloyd Green and John Hartford, on pedal steel guitar and fiddle respectively, are clearly audible. Written by Parsons and Bob Buchanan, "Hickory Wind" was one of three songs on Sweetheart of the Rodeo to feature Parsons as lead vocalist.
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Byrds_-_Hickory_Wind.ogg
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The_Byrds_-_You_Ain't_Goin'_Nowhere.ogg
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The_Byrds_-_You_Don't_Miss_Your_Water.ogg
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* Country rock
* country
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1997
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--04-02
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1969
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Alternate Version
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Instrumental
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Rehearsal Version – Take #48 – Gram Parsons Vocal
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Alternate "Nashville" Version – Take #8
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Alternate Instrumental – Take #17
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Alternate Instrumental – Take #21
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Gram Parsons Vocal
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Kevin Kelley Vocal
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Rehearsal Version – Take #14
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Rehearsal – Take #11
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Rehearsal – Take #2
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Rehearsal – Take #43
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Rehearsal Version – Take #8 – Gram Parsons Vocal
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Rehearsal Version – Take #7 – Gram Parsons Vocal
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Rehearsal Version – Takes #1 & #2 – Gram Parsons Vocal
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Rehearsal Version – Takes #14 & #15 – Gram Parsons Vocal
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Rehearsal Version – Takes #12 & #13 – Gram Parsons Vocal
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Rehearsal Version – Take #13 – Gram Parsons Vocal
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Rehearsal Version – Takes #3 & #4 – Gram Parsons Vocal
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1968
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--03-09
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1968-08-30
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Rolling Stone
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9.699999999999999
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A−
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*Columbia, Nashville, Tennessee
*Columbia, Hollywood, California
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Luxury Liner
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Lazy Days
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Blue Eyes
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Blue Canadian Rockies
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Truck Drivin' Man
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You're Still on My Mind
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Pretty Polly
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Life in Prison
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Reputation
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Hickory Wind
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Radio Spot: Sweetheart of the Radio Album
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Sum Up Broke
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studio
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Kevin Kelley
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Gram Parsons, Bob Buchanan
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Gram Parsons
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Luke McDaniel
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Terry Fell
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Charles Louvin, Ira Louvin
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Gram Parsons, John Nuese
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Merle Haggard, Jelly Sanders
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trad, arr. Roger McGuinn, Chris Hillman
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Sweetheart of the Rodeo je šesté studiové album americké rockové skupiny The Byrds, vydané v srpnu 1968 u vydavatelství Columbia Records. Nahráno bylo nejprve v březnu 1968 ve studiu Columbia Studios v Nashville v Tennessee a znovu od dubna do května toho roku ve studiu Columbia Studios v Hollywoodu v Kalifornii. Producentem alba byl . Jde o první album skupiny, na kterém nehráli původní členové David Crosby a Michael Clarke, kteří odešli během nahrávání předchozího alba. Po vydání tohoto alba ze skupiny odešel i Chris Hillman a na dalším albu hrál z původní sestavy jen Roger McGuinn.
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Sweetheart of the Rodeo (en españolː Cariño del Rodeo) es el sexto álbum de la banda estadounidense de folk rock The Byrds. Fue lanzado en agosto de 1968 por Columbia Records y significó su segundo álbum del año. Se considera uno de los álbumes de country más influyentes de la historia del género. Con la incorporación a la banda de Gram Parsons, el disco adquirió una dirección completamente novedosa para el sonido habitual de la banda (y los planes iniciales de las sesiones) siendo el primer disco de country rock importante en hacerse popular en los Estados Unidos. A pesar de haber experimentado con el género en sus cuatro primeros álbumes, éste era el primero donde se hizo de lleno un trabajo con el género. Generó dos sencillos de aceptación mixtaː Un modesto You Ain't Goin' Nowhere, cover de Bob Dylan, y I Am a Pilgrim, que no trascendió en las listas. Fue incluido en varios listados importantes, como el RS500 en el 2003 y 2012, y los 1001 Álbumes que debes oír antes de morir.
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Sweetheart of the Rodeo ist das sechste Studioalbum der US-amerikanischen Folk-Rock-Band The Byrds; ihr 7. Album insgesamt. Es erschien am 29. Juli 1968 bei Columbia Records. In den Vereinigten Staaten erreichte das Album Platz 77 der Pop-Charts. Trotz der eher enttäuschenden Verkaufszahlen des Albums gilt Sweetheart of the Rodeo als eines der einflussreichsten Alben der Rockgeschichte, da es ein ganzes Genre, den Country-Rock, einer breiten Masse bekannt machte. Zwar hatten die Byrds schon auf Younger Than Yesterday und The Notorious Byrd Brothers Elemente des Country in ihre Musik eingebracht, doch weit sparsamer als auf Sweetheart of the Rodeo, weshalb dieses als erstes Country-Rock-Album der Band (und eines der ersten überhaupt) in die Musikgeschichte einging. Heute gilt das Album als ein Rockklassiker, so erreichte es auf der 2003 vom Rolling Stone zusammengestellten Liste der 500 besten Alben aller Zeiten Platz 119.
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Sweetheart of the Rodeo is the sixth album by American rock band the Byrds and was released in August 1968 on Columbia Records. Recorded with the addition of country rock pioneer Gram Parsons, it became the first album widely recognized as country rock and represented a stylistic move away from the psychedelic rock of the band's previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre to that point in time. The album was responsible for bringing Parsons, who had joined the Byrds in February 1968 prior to the start of recording, to the attention of a mainstream rock audience for the first time. Thus, the album is an important chapter in Parsons' crusade to make country music fashionable for a young audience. The album was conceived as a history of 20th century American popular music, encompassing examples of country music, jazz and rhythm and blues, among other genres. However, steered by the passion of the little-known Parsons, this concept was abandoned early on and the album instead became purely a country record. The recording of the album was divided between sessions in Nashville and Los Angeles, with contributions from session musicians including Lloyd Green, John Hartford, JayDee Maness, and Clarence White. Tension developed between Parsons and the rest of the band, guitarist Roger McGuinn especially, and some of Parsons' vocals were re-recorded, partly due to legal issues. By the time the album was released Parsons had left the band. The Byrds' move away from rock and pop towards country music elicited a great deal of resistance and hostility from the ultra-conservative Nashville country music establishment, who viewed the Byrds as a group of long-haired hippies attempting to subvert country music. Upon its release, the album reached number 77 on the Billboard Top LPs chart, but failed to reach the charts in the United Kingdom. Two attendant singles were released during 1968, "You Ain't Goin' Nowhere", which achieved modest success, and "I Am a Pilgrim", which failed to chart. The album received mostly positive reviews in the music press, but the band's shift away from psychedelic music alienated much of its pop audience. Despite being the least commercially successful Byrds' album to date upon release, Sweetheart of the Rodeo is today considered to be a seminal and highly influential country rock album.
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Sweetheart of the Rodeo è il sesto album del gruppo folk rock statunitense The Byrds, pubblicato negli Stati Uniti il 30 agosto del 1968 dalla Columbia Records. Registrato con l'apporto del pioniere della musica country rock Gram Parsons, il disco è storicamente importante in quanto primo album country-rock prodotto da un gruppo affermato, e per essere un radicale cambio stilistico rispetto alle sonorità rock psichedeliche dei precedenti album dei Byrds. La band aveva già occasionalmente fatto esperimenti in passato con il country, incorporando nei precedenti dischi qualche traccia in quello stile, ma Sweetheart of the Rodeo rappresentò la loro piena e totale immersione in questo genere musicale. Nel 2003 l'album è stato posizionato al numero 117 della classifica dei migliori 500 album di tutti i tempi, stilata dalla rivista Rolling Stone.
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Sweetheart of the Rodeo est le sixième album du groupe de rock américain The Byrds, sorti en 1968. Il mêle des influences bluegrass, folk et country. Il a été classé 117e dans la liste des 500 meilleurs albums de tous les temps du magazine Rolling Stone en 2003, et en 120e position du classement 2012. Il est également cité dans l'ouvrage de référence de Robert Dimery Les 1001 albums qu'il faut avoir écoutés dans sa vie et dans un bon nombre d'autres listes.
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《Sweetheart of the Rodeo》는 미국의 록 밴드 버즈의 여섯 번째 음반으로 1968년 8월 컬럼비아 레코드에서 발매되었다. 컨트리 록의 선구자 그램 파슨스의 가세로 녹음된 이 음반은 컨트리 록으로 널리 인정받은 첫 번째 메이저 음반이 되었고 밴드의 이전 음반인 《The Notorious Byrd Brothers》의 사이키델릭 록에서 벗어난 스타일적인 움직임을 나타냈다. 버즈는 그들의 이전 네 장의 음반에서 컨트리 음악을 가끔 실험했지만, 《Sweetheart of the Rodeo》는 그 시점까지 이 장르에 완전히 몰입하는 모습을 보여주었다. 이 음반은 또한 음반의 녹음에 앞서 1968년 2월 버즈로 합류한 파슨스를 처음으로 주류 록 관객들의 관심을 받게 하는 역할을 했다. 따라서, 이 음반은 젊은 청중들에게 컨트리 음악을 유행시키기 위한 파슨스의 개인적이고 음악적인 십자군 운동의 중요한 장이다. 이 음반은 처음에 컨트리 음악, 재즈, 리듬 앤 블루스 등의 장르를 포함하는 20세기 미국 대중음악의 음악사로 구상되었다. 그러나 버즈에 합류한 지 얼마 되지 않은 잘 알려지지 않은 파슨스의 열정에 이끌려, 이 제안된 개념은 일찌감치 버려졌고 대신 이 음반은 순전히 컨트리 음반이 되었다. 이 음반의 녹음은 내슈빌과 로스앤젤레스에서 세션으로 나뉘었고, , , , 를 포함한 몇몇 저명한 세션 음악가들의 기여가 있었다. 파슨스와 나머지 밴드, 기타리스트 로저 맥귄 사이에 긴장이 고조되었는데, 부분적으로 법적 문제로 인해 파슨스의 보컬 일부가 재녹음되었고, 8월에 음반이 발매될 때 파슨스는 밴드를 떠났다. 컨트리 음악을 향한 버즈의 움직임은 컨트리 음악을 전복시키려는 긴 머리 히피들의 집단으로 버즈를 본 내슈빌 컨트리 음악계의 엄청난 저항과 적개심을 불러일으켰다. 발매와 동시에, 이 음반은 빌보드 200 차트에서 77위에 올랐지만, 영국에서 차트에는 오르지 못했다. 1968년에는 〈〉와 〈〉이 발매되었는데, 이 곡은 차트 작성에 실패했다. 이 음반은 음악 매체에서 대부분 긍정적인 평가를 받았으나, 밴드는 사이키델릭 음악에서 벗어나면서 대중적 관객들을 많이 소외시켰다. 첫 번째 발매 이후 현재까지 버즈의 음반 중 상업적으로 가장 덜 성공한 음반임에도 불구하고, 《Sweetheart of the Rodeo》는 오늘날 매우 영향력 있는 컨트리 록 음반으로 여겨진다.
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Sweetheart of the rodeo is het zesde studioalbum van de Amerikaanse folk rock band The Byrds. Op dit album spelen the Byrds countrymuziek, onder invloed van het nieuwe bandlid Gram Parsons. Het album wordt door critici beschouwd als invloedrijk en baanbrekend.
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『ロデオの恋人』(ロデオのこいびと、Sweetheart of the Rodeo)は、1968年にリリースされた、バーズの6作目のスタジオ・アルバム。
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Sweetheart of the Rodeo är det amerikanska folkrockbandet The Byrds sjätte album, släppt 29 juli 1968. Albumet, som blandade country- och rockmusik, var inte det första i sitt slag, men däremot det första som kom att nå ut till en bredare allmänhet. Countryrockpionjären Gram Parsons hade här blivit medlem i gruppen, och det är mycket tack vare hans passion för country som albumet fått sitt djupa countryrock-sound. Albumet nådde Billboardlistans 77:e plats, gruppens dittills sämsta placering. Countrygruppen Sweethearts of the Rodeo tog sitt artistnamn från detta musikalbum. Flera nyutgåvor av albumet har släppts, med många tidigare osläppta spår.
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