Susan Hacker Stang

http://dbpedia.org/resource/Susan_Hacker_Stang an entity of type: Thing

Susan Hacker Stang (born Susan Hacker, October 19, 1949) is an American photographer, author, and educator. Stang served on the faculty of communications at Webster University in St. Louis from 1974 through 2015 and now holds the title Professor Emeritus. She helped found and build the respected photography program there, heading it for most of her tenure at the university. Her work has been collected by more than 25 major museums and libraries around the world and appears in half a dozen books and numerous magazines. rdf:langString
rdf:langString Susan Hacker Stang
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rdf:langString Susan Hacker Stang (born Susan Hacker, October 19, 1949) is an American photographer, author, and educator. Stang served on the faculty of communications at Webster University in St. Louis from 1974 through 2015 and now holds the title Professor Emeritus. She helped found and build the respected photography program there, heading it for most of her tenure at the university. Her work has been collected by more than 25 major museums and libraries around the world and appears in half a dozen books and numerous magazines. Much of her photography involves the innovative use of alternative cameras, formats, techniques, and media, as evidenced by her two books Encountering Florence (featuring subtly surreal black and white prints of the Italian city using 8 x 10 Polaroid emulsion transfers) and Kodachrome – End of the Run: Photographs from the Final Batches (which chronicles a six-month university photography project in which students and staff would shoot more than 100 roles of rare Kodachrome film for processing on the last day of operations by the world's last remaining Kodachrome processing lab.) In 2016, she published a book of photographs, reAPPEARANCES, which is a sequence of fifty-two photographs made with a digital toy camera (the JOCO VX5). The volume purports to take the viewer on a visual journey through the uncanny coherence of the look of the world, according to Stang's introductory essay.
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