Still life paintings by Vincent van Gogh (Paris)

rdf:langString Still life paintings by Vincent van Gogh (Paris)

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rdf:langString Basket of Apples, 1885, Van Gogh Museum, Amsterdam

rdf:langString Vase with Red Gladioli, 1886, Private collection

rdf:langString Vincent van Gogh, Still Life with Apples, Pears, Lemons and Grapes, 1887, Art Institute of Chicago

rdf:langString This is an example of Van Gogh's integration of brighter, contrasting colors and Impressionist brushstroke techniques.

rdf:langString Still Life with Apples, 1887–88, Van Gogh Museum, Amsterdam

rdf:langString This painting represents some of Van Gogh's early Paris still life, where he introduced brighter, contrasting color.

rdf:langString Claude Monet, Still Life with Apples and Grapes, 1880, Art Institute of Chicago

rdf:langString Fritillaries in a Copper Vase, 1887, Musée d'Orsay, Paris

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rdf:langString Comparison of Still Life with Apples

rdf:langString Still Life with Fruit Comparison:

rdf:langString The Netherlands to Paris

rdf:langString Van Gogh and Monet

rdf:langString Van Gogh's artistic transition reflected in his still lifes

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rdf:langString Monet-Still-Life-with-Apples-and-Grapes-1880.jpg

rdf:langString Van Gogh - Kaiserkronen in einer Kupfervase.jpeg

rdf:langString Van Gogh - Stillleben mit Apfelkorb2.jpeg

rdf:langString Van Gogh - Stillleben mit Äpfeln.jpeg

rdf:langString Vincent Willem van Gogh 124.jpg

rdf:langString Van Gogh - Stillleben mit Trauben, Äpfeln, Zitronen und Birne.jpeg

rdf:langString Still life paintings by Vincent van Gogh (Paris) is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Montmartre in Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings. He saw the work and met the founders and key artists of Impressionism, Pointillism and other movements and began incorporating what he learned into his work. Japanese art, Ukiyo-e, and woodblock prints also influenced his approach to composition and painting. There was a gradual change from the somber mood of his work in the Netherlands to a far more varied and expressive approach as he began introducing brighter color into his work. He painted many still life paintings of flowers, experimenting with color, light and techniques he learned from several different modern artists before moving on to other subjects. By 1887, his work incorporated several elements of modern art as he began to approach his mature oeuvre. Excellent examples are the paintings, where in the space of four paintings one can observe the difference between the first pair of boots made in 1886, similar to some of his earlier peasant paintings from Nuenen, to the painting made in 1887 that incorporates complementary, contrasting colors and use of light. Another example are the paintings made in 1887 that incorporate both color and technique improvements that result in uplifting, colorful paintings of flowers. In the spring of 1887, Van Gogh left the city proper for a visit to Asnières with his friend Émile Bernard. While there his work was further transformed stylistically and through the use of bright, contrasting color and light. See his works from Asnières and Seine.