St Matthew Passion structure

http://dbpedia.org/resource/St_Matthew_Passion_structure an entity of type: Thing

Johann Sebastian Bach's St Matthew Passion (Matthäuspassion), BWV 244, is structured on multiple levels: the composition is structured in three levels of text sources (Gospel, libretto and chorales) and by the different forms that are used for musical expression (arias, recitatives and choruses). Bach took the Gospel text for the composition from Martin Luther's German translation of Matthew 26 and 27. Contemporary poetry in Picander's libretto and chorales comment on the Bible text and open and close most scenes of the narration. rdf:langString
rdf:langString St Matthew Passion structure
xsd:integer 34896539
xsd:integer 1085979137
rdf:langString
rdf:langString Evangelist
rdf:langString Vox Christi
rdf:langString Solo: soprano, alto, tenor, bass, soliloquents
rdf:langString Two choirs
rdf:langString Matthew
rdf:langString by Lucas Cranach the Elder
xsd:integer 26 27
rdf:langString Matthäuspassion
rdf:langString Matthäuspassion, early edition
xsd:integer 68
rdf:langString Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum
rdf:langString la
rdf:langString Bible
rdf:langString St Matthew Passion
rdf:langString King James
rdf:langString St. Matthew Passion , BWV 244b
rdf:langString St._Matthew_Passion_BWV_244_%28Bach%2C_Johann_Sebastian%29
rdf:langString Johann Sebastian Bach's St Matthew Passion (Matthäuspassion), BWV 244, is structured on multiple levels: the composition is structured in three levels of text sources (Gospel, libretto and chorales) and by the different forms that are used for musical expression (arias, recitatives and choruses). Bach's large choral composition was written to present the Passion, as told in the Gospel of Matthew, in a vespers service on Good Friday. It is composed in two parts, that were to be performed before and after the sermon of that service. Part I covers the events until the arrest of Jesus and Part II concludes with his burial and the sealing of his grave. Bach took the Gospel text for the composition from Martin Luther's German translation of Matthew 26 and 27. Contemporary poetry in Picander's libretto and chorales comment on the Bible text and open and close most scenes of the narration.
xsd:integer 244
rdf:langString Paul Gerhardt
rdf:langString
rdf:langString Adam Reusner
rdf:langString Albert, Duke in Prussia
rdf:langString Johann Heermann
rdf:langString Johann Rist
rdf:langString Nikolaus Decius
rdf:langString Sebald Heyden
xsd:integer 2
rdf:langString
rdf:langString continuo
rdf:langString viola
rdf:langString bassoon
rdf:langString viola da gamba
rdf:langString Two orchestras, each of
xsd:nonNegativeInteger 42537

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