St John Passion structure

http://dbpedia.org/resource/St_John_Passion_structure an entity of type: Abstraction100002137

The structure of the St John Passion (German: Johannes-Passion), BWV 245, a sacred oratorio by Johann Sebastian Bach, is "carefully designed with a great deal of musico-theological intent". Some main aspects of the structure are shown in tables below. rdf:langString
rdf:langString St John Passion structure
xsd:integer 42122514
xsd:integer 1070050801
xsd:integer 1 2 9 12 15 18 23 24 27 28 30 31 37 38 51 75
rdf:langString choir and solo
rdf:langString
rdf:langString John
rdf:langString Mark
rdf:langString Matthew
rdf:langString InternetArchiveBot
rdf:langString First page of the autograph
xsd:integer 15 18 19 26 27
rdf:langString Johannespassion
rdf:langString May 2018
rdf:langString yes
xsd:double 1.3
xsd:integer 40
rdf:langString
rdf:langString
rdf:langString –11
rdf:langString –14
rdf:langString –22
rdf:langString –27
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rdf:langString –37
rdf:langString –8
rdf:langString –42
rdf:langString –40
rdf:langString –30
rdf:langString –52
rdf:langString b–17
rdf:langString b–23
rdf:langString b–30a
rdf:langString –12a
rdf:langString –27a
rdf:langString Bible
rdf:langString Johannes-Passion
rdf:langString St John Passion
rdf:langString King James
rdf:langString Johannespassion, BWV 245
rdf:langString The structure of the St John Passion (German: Johannes-Passion), BWV 245, a sacred oratorio by Johann Sebastian Bach, is "carefully designed with a great deal of musico-theological intent". Some main aspects of the structure are shown in tables below. The original Latin title Passio secundum Joannem translates to "Passion according to John".Bach's large choral composition in two parts on German text, written to be performed in a Lutheran service on Good Friday, is based on the Passion, as told in two chapters from the Gospel of John (John 18 and John 19) in the translation by Martin Luther, with two short interpolations from the Gospel of Matthew (in the earliest version, one is from the Gospel of Matthew and one from the Gospel of Mark). During the vespers service, the two parts of the work were performed before and after the sermon. Part I covers the events until Peter's denial of Jesus, Part II concludes with the burial of Jesus. The Bible text is reflected in contemporary poetry and in chorales that often end a "scene" of the narration, similar to the way a chorale ends most Bach cantatas. An anonymous poet supplied a few texts himself, quoted from other Passion texts and inserted various stanzas of chorales by nine hymn writers. Bach led the first performance on 7 April 1724 in Leipzig's Nikolaikirche. He repeated it several times between 1724 and 1749, experimenting with different movements and changing others, which resulted in four versions (with a fifth one not performed in Bach's lifetime, but representing the standard version). The Passion, close to Bach's heart, has an "immediate dramatic quality".
xsd:integer 245
rdf:langString Stanzas from 9 chorales
xsd:integer 2
rdf:langString
rdf:langString continuo
rdf:langString viola
rdf:langString viola da gamba
rdf:langString lute
rdf:langString viola d'amore
xsd:nonNegativeInteger 131354

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