Sophie Fedorovitch
http://dbpedia.org/resource/Sophie_Fedorovitch an entity of type: Thing
Sophie Fedorovitch (Belarusian: Сафія Федаровіч; 3 December 1893 – 25 January 1953) was a Russian-born theatrical designer who worked with ballet choreographer Sir Frederick Ashton from his first choreographed ballet in 1926 until her accidental death in 1953. Fedorovitch designed for several British choreographers including Ninette de Valois and Antony Tudor, as well as for opera and theatre. From 1951 until her death in 1953, she was a member of the artistic advisory panel of Sadler's Wells Ballet, a role she had unofficially undertaken for many years.
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Sophie Fedorovitch
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Sophie Fedorovitch
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Sophie Fedorovitch
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London, UK
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1953-01-25
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Minsk, Russian Empire
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1893-12-03
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39759294
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1031100997
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1893-12-03
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1953-01-25
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Veneziana, for Andrée Howard and Sadler's Wells Ballet
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A Tragedy of Fashion, for Frederick Ashton
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Dante Sonata, for Frederick Ashton
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Endymion, for Mona Inglesby
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Horoscope, for Frederick Ashton
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Le baiser de la fée, for Frederick Ashton
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Nocturne, for Frederick Ashton
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Symphonic Variations, for Frederick Ashton
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Orfeo ed Euridice, for Covent Garden Opera , with dance choreography by Frederick Ashton
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La fête étrange, for Andrée Howard and the London Ballet
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Ballet, opera and theatre designer
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1926
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Sophie Fedorovitch (Belarusian: Сафія Федаровіч; 3 December 1893 – 25 January 1953) was a Russian-born theatrical designer who worked with ballet choreographer Sir Frederick Ashton from his first choreographed ballet in 1926 until her accidental death in 1953. Fedorovitch designed for several British choreographers including Ninette de Valois and Antony Tudor, as well as for opera and theatre. From 1951 until her death in 1953, she was a member of the artistic advisory panel of Sadler's Wells Ballet, a role she had unofficially undertaken for many years. In her 2012 article in Research in Dance Education, Elizabeth McLean's view was that Fedorovitch had a "formative influence" on British ballet design of the 1930s and 1940s, and that she should be considered the equal of her contemporary, Christian Bérard.
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8502
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1953
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1926
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1893
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1953
