Song of Innocence

rdf:langString Song of Innocence

rdf:langString Song of Innocence

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rdf:langString David Axelrod - Song of Innocence.jpg

rdf:langString "Holy Thursday" mixes boogaloo and classical elements with jazzy piano and a soaring chorus played by the string and horn sections.

rdf:langString David Axelrod - Holy Thursday.ogg

rdf:langString * Jazz fusion * baroque pop * psychedelic R&B * art pop

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rdf:langString David Axelrod

rdf:langString Song of Innocence made critics turn their heads in its day, regarding it as a visionary curiosity piece; today it's simply a great, timeless work of pop art that continues to inspire over three decades after its initial release.

rdf:langString October 1968

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rdf:langString — Thom Jurek

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rdf:langString A Dream

rdf:langString Holy Thursday

rdf:langString The Smile

rdf:langString Song of Innocence

rdf:langString The Mental Traveler

rdf:langString Urizen

rdf:langString "Holy Thursday"

rdf:langString Merlin's Prophecy

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rdf:langString Song of Innocence is the debut album by American composer and producer David Axelrod. It was released in October 1968 by Capitol Records. In an effort to capitalize on the experimental climate of popular music at the time, Axelrod composed the album as a suite-like tone poem interpreting Songs of Innocence, a 1789 illustrated collection of poems by William Blake. Recording took place at Capitol Studios in Los Angeles with an orchestra and studio musicians from the Wrecking Crew collective, including keyboardist and conductor Don Randi, guitarist Al Casey, bassist Carol Kaye, and drummer Earl Palmer. An instrumental jazz fusion record, Song of Innocence incorporates elements of classical, rock, funk, pop, and theatre music. Axelrod arranged the music for bass, drums, and string instruments, composing in a rock idiom with tempos centered on such rhythms played by Palmer. He used contrast in his orchestral compositions, interspersing their euphoric psychedelic R&B structures with dramatic, harrowing arrangements to reflect the supernatural themes found in Blake's poems. The resulting music's reverent, psychedelic overtones have been interpreted as evoking the poet's themes of innocence and spirituality. While innovative for its application of rock and jazz techniques, Song of Innocence was not commercially successful and confounded contemporary critics, who viewed it as an ambitious but foolish curiosity piece. In the 1990s, critics reassessed the album as a classic, while leading disc jockeys in hip hop and electronica rediscovered and sampled its songs. "Holy Thursday", the record's best-known track, was frequently sampled by hip hop producers. The renewed interest in Axelrod's work prompted Stateside Records to reissue Song of Innocence in 2000.