Social problem film

rdf:langString Social problem film

rdf:langString A social problem film is a narrative film that integrates a larger social conflict into the individual conflict between its characters. In the context of the United States and of Hollywood, the genre is defined by fictionalized depictions of social crises set in realistic American domestic or institutionalized settings. Like many film genres, the exact definition is often in the eye of the beholder; however, Hollywood did produce and market a number of topical films in the 1930s, and by the 1940s, the term "social problem" film, or "message" film, was conventional in its usage among the film industry and the public. Many characteristics that have grown to define the social problem film revolve around the perceived consciousness of the nation about a certain social issue and integrating that issue into a narrative structure. Social problems such as the horrors of war, suffering of the poor, addiction, the rights of women, and the inhumanity of a certain world are often put on display. The problem with defining this type of film as a genre lies within the ability it has to separate itself from films that display similar style, as a lot of films do address social issues. However, the social problem film differentiates itself by focusing on the problems within the historical context of the current time, dealing with the social issue of a certain era as it applies to that era with a style that is much more didactic than its contemporaries. Furthermore, the social problem film allows further immersion into a certain issue than other genre films. For instance, gangster and prison films will reflect certain features of a social issue but won't actually fully explore the problem in the way that would qualify it for this genre.