Shanta Apte

http://dbpedia.org/resource/Shanta_Apte an entity of type: Thing

Shanta Apte (1916–1964) was an Indian actress-singer who worked in Marathi and Hindi cinema. Renowned for her roles in films like Duniya Na Mane/Kunku (1937) and Amar Jyoti (1936) under the Prabhat Films banner, she was active in Indian cinema from 1932 to 1958. Apte's impact on Marathi cinema "paralleled" that of Kanan Devi in Bengali cinema. Along with Kanan Devi, Apte is cited as one of the "great singing stars" from before the playback singing era. Apte began her career in films playing the role of a young Radha in the Marathi film Shyamsunder (1932). She joined Prabhat Films acting in her first Hindi language film Amrit Manthan in (1934). rdf:langString
rdf:langString Shanta Apte
rdf:langString Shanta Apte
rdf:langString Shanta Apte
rdf:langString Andheri, Bombay, Maharashtra, India
rdf:langString Dudhni, Maharashtra, British India
xsd:integer 47066155
xsd:integer 1110840176
xsd:integer 1916
rdf:langString Shanta Apte
rdf:langString Shanta in Gopal Krishna
rdf:langString Singer-actress
xsd:integer 1932
rdf:langString Shanta Apte (1916–1964) was an Indian actress-singer who worked in Marathi and Hindi cinema. Renowned for her roles in films like Duniya Na Mane/Kunku (1937) and Amar Jyoti (1936) under the Prabhat Films banner, she was active in Indian cinema from 1932 to 1958. Apte's impact on Marathi cinema "paralleled" that of Kanan Devi in Bengali cinema. Along with Kanan Devi, Apte is cited as one of the "great singing stars" from before the playback singing era. Apte began her career in films playing the role of a young Radha in the Marathi film Shyamsunder (1932). She joined Prabhat Films acting in her first Hindi language film Amrit Manthan in (1934). She brought a change in the static style of song renditions in films with her "spontaneous gestures and eye movements". A "woman of rare mettle", she staged a hunger strike in 1939 at the Prabhat Studios gate following a disagreement regarding a clause in her contract. Cited as a "domestic guerrilla" following her roles in films like Kunku/Duniya Na Mane, she became an inspirational role-model for a generation of college students. Claimed to be the highest paid female screen star in Marathi-language cinema, her "star" status with the audiences as early as 1937 was acknowledged by the cine-magazine editor Baburao Patel in the December 1937 issue of Filmindia, in an editorial titled "India Has No Star". She was also one of the earliest Indian cinema actors to write her autobiography Jau Mi Cinemat (Should I join Films) in Marathi.
xsd:nonNegativeInteger 15649
xsd:gYear 1958
xsd:gYear 1932
rdf:langString Shanta Apte
xsd:gYear 1916

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