Sarah Michelson

http://dbpedia.org/resource/Sarah_Michelson an entity of type: Thing

Sarah Michelson (born 1964) is a British choreographer and dancer who lives and works in New York City, New York. Her work is characterized by demanding physicality and repetition, rigorous formal structures, and inventive lighting and sound design. She was one of two choreographers whose work was included in the 2012 Whitney Biennial, the first time dance was presented as part of the bi-annual exhibition. Her work has also been staged at The Walker Art Center, Jacob’s Pillow Dance Festival, The Kitchen, and the White Oak Dance Project. She received New York Dance and Performance awards (known as "The Bessie Awards") for Group Experience (2002), Shadowmann Parts One and Two (2003), and Dogs (2008). She has served as associate director of The Center for Movement Research and associate curat rdf:langString
rdf:langString Sarah Michelson
rdf:langString Sarah Michelson
rdf:langString Sarah Michelson
rdf:langString Manchester, United Kingdom
xsd:integer 49653363
xsd:integer 1040229446
xsd:integer 1964
rdf:langString Choreographer/Dancer
rdf:langString Sarah Michelson (born 1964) is a British choreographer and dancer who lives and works in New York City, New York. Her work is characterized by demanding physicality and repetition, rigorous formal structures, and inventive lighting and sound design. She was one of two choreographers whose work was included in the 2012 Whitney Biennial, the first time dance was presented as part of the bi-annual exhibition. Her work has also been staged at The Walker Art Center, Jacob’s Pillow Dance Festival, The Kitchen, and the White Oak Dance Project. She received New York Dance and Performance awards (known as "The Bessie Awards") for Group Experience (2002), Shadowmann Parts One and Two (2003), and Dogs (2008). She has served as associate director of The Center for Movement Research and associate curator of dance at The Kitchen. Currently choreographer in residence at Bard's Fisher Center, she is the recipient of their four-year fellowship to develop a commissioned work with Bard students and professional dancers.
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xsd:gYear 1964

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