Sara Aakash

http://dbpedia.org/resource/Sara_Aakash an entity of type: Thing

Sara Aakash (English: The Whole Sky) is a 1969 Hindi film directed by Basu Chatterjee, based on first part of novel Sara Akash (The whole Cosmos, 1951) by Rajendra Yadav. This was Yadav's debut novel, originally published as Pret Bolte Hain (Ghosts Speak), renamed in 1960, the title in turn was taken from a poem by Ramdhari Singh Dinkar. The film starred Rakesh Pandey, Madhu Chakravarty, Nandita Thakur, A. K. Hangal and Dina Pathak in lead roles. Set in a traditional middle class joint family in Agra, the film deals with internal conflicts of a newly wed couple, both of whom find themselves unprepared for domestic life. rdf:langString
rdf:langString Sara Aakash
rdf:langString Sara Akash
rdf:langString Sara Akash
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rdf:langString 'सारा आकाश', Novel by Rajendra Yadav
rdf:langString Theatrical release poster
rdf:langString India
rdf:langString Ashok Gaind
rdf:langString Ishwar Chandra
rdf:langString Hindi
rdf:langString Basu Chatterjee
<second> 6000.0
rdf:langString Aarti Bole
rdf:langString Madhu Chakravarty,
rdf:langString Nandita Thakur,
rdf:langString Shaily Shailendra,
rdf:langString Tarla Mehta,
rdf:langString Cineye Films
rdf:langString Kamleshwar
rdf:langString Basu Chatterjee ,
rdf:langString Sara Aakash (English: The Whole Sky) is a 1969 Hindi film directed by Basu Chatterjee, based on first part of novel Sara Akash (The whole Cosmos, 1951) by Rajendra Yadav. This was Yadav's debut novel, originally published as Pret Bolte Hain (Ghosts Speak), renamed in 1960, the title in turn was taken from a poem by Ramdhari Singh Dinkar. The film starred Rakesh Pandey, Madhu Chakravarty, Nandita Thakur, A. K. Hangal and Dina Pathak in lead roles. Set in a traditional middle class joint family in Agra, the film deals with internal conflicts of a newly wed couple, both of whom find themselves unprepared for domestic life. The film marked the debut of Basu Chatterjee as director, and was also the first film of cinematographer K. K. Mahajan, who won the National Film Award for Best Cinematography for his black-and-white camera work in the film. Along with Uski Roti and Bhuvan Shome other notable films of the year, it is regarded as one of the films which started the Indian New Wave.
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