Ryan Craig (playwright)
http://dbpedia.org/resource/Ryan_Craig_(playwright) an entity of type: Thing
Ryan Craig (* 1972 in London) ist ein britischer Dramatiker. Craig schreibt seit 1996 Theaterstücke. 2003 hatte er Erfolg mit dem Kriminalhörspiel Looking for Danny (BBC). 2005 wurde das Stück unter dem Titel Die einzige Waffe in einer deutschen Fassung von DLR Kultur produziert.
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Ryan Craig (born 9 January 1972) is a British playwright, whose plays usually probe both social norms and ethical issues. He is also a writer for screen, television and radio. Craig is best known for his plays What We Did To Weinstein (Menier Chocolate Factory, London, 2005), which earned him a Most Promising Playwright Nomination at the Evening Standard Theatre Awards; The Glass Room (Hampstead Theatre, 2006), which deals with Holocaust denial; and The Holy Rosenbergs (National Theatre, 2011); as well as for writing the English version of Tadeusz Słobodzianek's Our Class (National Theatre, 2009). His most recent play is the semi-autobiographical Filthy Business (Hampstead Theatre, 2017).
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Ryan Craig (Dramatiker)
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Ryan Craig (playwright)
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32029044
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Ryan Craig (* 1972 in London) ist ein britischer Dramatiker. Craig schreibt seit 1996 Theaterstücke. 2003 hatte er Erfolg mit dem Kriminalhörspiel Looking for Danny (BBC). 2005 wurde das Stück unter dem Titel Die einzige Waffe in einer deutschen Fassung von DLR Kultur produziert.
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Ryan Craig (born 9 January 1972) is a British playwright, whose plays usually probe both social norms and ethical issues. He is also a writer for screen, television and radio. Craig is best known for his plays What We Did To Weinstein (Menier Chocolate Factory, London, 2005), which earned him a Most Promising Playwright Nomination at the Evening Standard Theatre Awards; The Glass Room (Hampstead Theatre, 2006), which deals with Holocaust denial; and The Holy Rosenbergs (National Theatre, 2011); as well as for writing the English version of Tadeusz Słobodzianek's Our Class (National Theatre, 2009). His most recent play is the semi-autobiographical Filthy Business (Hampstead Theatre, 2017).
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17432