Russell Cowles

http://dbpedia.org/resource/Russell_Cowles an entity of type: Thing

Russell Cowles (1887–1979) was an American artist who painted landscapes, still lifes, and human forms in a style that combined both modernist and traditional elements. In 1947 the New York Times critic Howard Devree said "his work shows a remarkably dynamic understanding of both traditional occidental and oriental painting as well as of the abstract principles which activate and underlie the modern movement as such". Over a career that spanned some fifty years, he achieved an unusual degree of success as measured by gallery representation, commercial sales of his work, critical reception, and representation in museum collections. He traveled widely throughout his life, combining the study and practice of art with an interest in learning about distant places and cultures. These travels inc rdf:langString
rdf:langString Russell Cowles
rdf:langString Russell Cowles
rdf:langString Russell Cowles
xsd:date 1979-02-22
xsd:date 1887-10-07
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rdf:langString Russell Cowles
rdf:langString Howard Devree
rdf:langString Russell Cowles
xsd:date 1887-10-07
rdf:langString Russell Cowles
xsd:integer 30
xsd:date 1979-02-22
rdf:langString Artist
rdf:langString With each succeeding show over a period of more than a decade, Russell Cowles has secured a surer position in the front rank of American artists.
rdf:langString The artist should strive for nothing except the truest, most complete, most perfect, expression of that thing within himself, which he wishes to put on the canvas. I think all great art must come from that inner single-mindedness and to achieve this, the artist must shut from his vision all mere outward currents and eddies, and fads and fashions.
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rdf:langString Russell Cowles (1887–1979) was an American artist who painted landscapes, still lifes, and human forms in a style that combined both modernist and traditional elements. In 1947 the New York Times critic Howard Devree said "his work shows a remarkably dynamic understanding of both traditional occidental and oriental painting as well as of the abstract principles which activate and underlie the modern movement as such". Over a career that spanned some fifty years, he achieved an unusual degree of success as measured by gallery representation, commercial sales of his work, critical reception, and representation in museum collections. He traveled widely throughout his life, combining the study and practice of art with an interest in learning about distant places and cultures. These travels included a circumferential world tour of nearly two years as well as frequent trips to Europe and travel within the United States. During the first two decades of his career, he experimented with a range of styles from neo-classical and academic to abstract and non-objective. As he moved from one to the next, he absorbed its value to him and eventually established a mature style that was seen as completely his own. In 1946, a critic of the New York Sun wrote of Cowles's mature style that, "by artful simplification and placement of form, he unfailingly achieves designs of perfect balance. Essentially a realist. he is discreet in his modifications; forms are divested of superficialities, but never subjected to extreme distortion". In 1952, a critic for the Los Angeles Times called him "a sensitive, well balanced, highly cultivated artist who loves his medium and demands of himself a craftsmanship to match his knowledge and sensibility".
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