Rue des cascades
http://dbpedia.org/resource/Rue_des_cascades an entity of type: Thing
Rue des cascades est le deuxième album de Yann Tiersen, le disque est d'abord sorti en 1996 sur le label Sine Terra Firma puis a été réédité sur le label Ici d'ailleurs en 1998.
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Rue des cascades (calle de las cascadas, en español) es el segundo álbum de estudio de Yann Tiersen, publicado en 1996 (Sine Terra Firma) y re editado en 1998, 2001 y 2009. A excepción de los temas "Naomi" y "La Vie quotidienne", su autor los compuso e interpretó esencialmente con acordeón, piano de juguete, clavecín, violín, piano y mandolina, además de algunos objetos usados como instrumentos musicales. Es el caso de una máquina de escribir usada como instrumento en "Pas si simple".
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Rue des cascades è il secondo album del musicista minimalista francese Yann Tiersen.
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Rue des Cascades é o segundo álbum do compositor e francês Yann Tiersen. Lançado em 1996, conta com a colaboração da cantora francesa Claire Pichet
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Rue des cascades (international English title: Cascade Street) is the second studio album by the musician and composer Yann Tiersen. It was released through Sine Terra Firma in 1996, and subsequently reissued in 1998, 2001, and 2009 through Ici, d'ailleurs... and Virgin Records in CD and double LP formats. The album, with the exclusion of two pieces, "Naomi" and "La Vie quotidienne", is a collection of short pieces recorded with toy piano, harpsichord, violin, accordion, mandolin, and other conventional and unconventional musical instruments such as an old typewriter in "Pas si simple". The title track, which was used about one year later for the film score of the Palme d'Or nominated French drama film The Dreamlife of Angels, was sung by French soloist singer Claire Pichet, who also provi
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Rue des cascades
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Rue des Cascades
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Rue des cascades (album)
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Rue des cascades
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Rue des cascades
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Rue des cascades
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Yann Tiersen - Rue des Cascades.jpg
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Sine Terra Firma
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1998
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1995
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Nancy, Paris, 1995–1996
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April 1996
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Rue des cascades est le deuxième album de Yann Tiersen, le disque est d'abord sorti en 1996 sur le label Sine Terra Firma puis a été réédité sur le label Ici d'ailleurs en 1998.
rdf:langString
Rue des cascades (calle de las cascadas, en español) es el segundo álbum de estudio de Yann Tiersen, publicado en 1996 (Sine Terra Firma) y re editado en 1998, 2001 y 2009. A excepción de los temas "Naomi" y "La Vie quotidienne", su autor los compuso e interpretó esencialmente con acordeón, piano de juguete, clavecín, violín, piano y mandolina, además de algunos objetos usados como instrumentos musicales. Es el caso de una máquina de escribir usada como instrumento en "Pas si simple".
rdf:langString
Rue des cascades (international English title: Cascade Street) is the second studio album by the musician and composer Yann Tiersen. It was released through Sine Terra Firma in 1996, and subsequently reissued in 1998, 2001, and 2009 through Ici, d'ailleurs... and Virgin Records in CD and double LP formats. The album, with the exclusion of two pieces, "Naomi" and "La Vie quotidienne", is a collection of short pieces recorded with toy piano, harpsichord, violin, accordion, mandolin, and other conventional and unconventional musical instruments such as an old typewriter in "Pas si simple". The title track, which was used about one year later for the film score of the Palme d'Or nominated French drama film The Dreamlife of Angels, was sung by French soloist singer Claire Pichet, who also provided vocals on the track "Naomi", a song that features words from Allen Ginsberg's poem "Kaddish". François-Xavier Schweyer played the cello on "C'était ici" and "La Fenêtre". Three tracks, "J'y suis jamais allé", "Pas si simple", and "Soir de fête", would find a wider audience five years later when they were featured on the soundtrack to Jean-Pierre Jeunet's acclaimed film Amélie.
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Rue des cascades è il secondo album del musicista minimalista francese Yann Tiersen.
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Rue des Cascades é o segundo álbum do compositor e francês Yann Tiersen. Lançado em 1996, conta com a colaboração da cantora francesa Claire Pichet
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