Rich Slave
http://dbpedia.org/resource/Rich_Slave an entity of type: Thing
Rich Slave is the fifth solo studio album by American rapper Young Dolph and his last studio album to be released during his lifetime. It was released on August 14, 2020, through his label Paper Route Empire. The production on the album was primarily handled by Bandplay with additional production by Juicy J, Supah Mario, Cassius Jay and others. The album features guest appearances from G Herbo, Key Glock and Megan Thee Stallion. Dolph explained the album's title, stating "It's the reality of being Black in this country".
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Rich Slave
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Rich Slave
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Standard cover art. Deluxe edition features a black and white cover.
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Key Glock - Rich Slave.png
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Cassius Jay
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Juicy J
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Supah Mario
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Beatmonster Marc
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Trauma Tone
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Bandplay
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OG Ron C
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Sosa 808
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Young Dolph
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Producer
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Rich Slave
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Paper Route Empire
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Dum and Dummer 2
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Skit
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featuring Megan Thee Stallion
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featuring G Herbo
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featuring Key Glock
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featuring Kenny Muney
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2019
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* Bandplay
* Beatmonster Marc
* Cassius Jay
* DJ Cyreen
* Drumma Boy
* Dunk Rock
* Hunnit Band Yung
* Juicy J
* Montana Corleone
* OG Ron C
* Sosa808
* Supah Mario
* Trauma Tone
* Yung Hurricane
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2020-08-14
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1
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Death Row
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No Regrets
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Fast
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Benz
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Green Light
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Black Friday
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To Be Honest
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Blue Diamonds
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Hold Up Hold Up Hold Up
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Large Amounts
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Rich Slave
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Studio
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Adolph Thornton Jr.
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Kenny Muney
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Thornton Jr.
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Rich Slave is the fifth solo studio album by American rapper Young Dolph and his last studio album to be released during his lifetime. It was released on August 14, 2020, through his label Paper Route Empire. The production on the album was primarily handled by Bandplay with additional production by Juicy J, Supah Mario, Cassius Jay and others. The album features guest appearances from G Herbo, Key Glock and Megan Thee Stallion. Dolph explained the album's title, stating "It's the reality of being Black in this country". Rich Slave was preceded by four singles: "RNB" featuring Megan Thee Stallion, "Blue Diamonds", "Death Row" and "Large Amounts". The album received generally positive reviews from music critics and was a commercial success. It debuted at number four on the US Billboard 200, earning 65,000 album-equivalent units in its first week, marking Dolph's highest-charting project. It also charted at number 84 on the Canadian Albums Chart.
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