Real Emotional Girl
http://dbpedia.org/resource/Real_Emotional_Girl an entity of type: Thing
Real Emotional Girl is the third solo album recorded by the Canadian singer Patricia O'Callaghan. Co-released by the Marquis and Teldec/Atlantic labels in March 2001, it features the classically trained soprano’s interpretations of several well-known popular songs, including Bob Dylan’s "Like a Rolling Stone" and Randy Newman’s "Real Emotional Girl". But rather than standard cover versions these are original, highly personalised "cabaret"-style performances – most notably so of the Dylan and Newman songs – that suggest how these songs might have sounded had they been recorded before the advent of pop music itself (such as, say, in 1920s’ Paris or Berlin). Among the other tracks are O’Callaghan's highly acclaimed version of Leonard Cohen’s "Hallelujah" and four other of his songs, including
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Real Emotional Girl
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Real Emotional Girl
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42491932
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1063503182
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Pop, Rock
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Marquis Records, Teldec/Atlantic
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3316.0
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Naked Beauty
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2004
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Slow Fox
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1999
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Richard Fortin, Howard Hughes
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Orinoco Studios, London, Lydian Studios, Ottawa, Ontario, Canada
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2001-03-20
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cover
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Real Emotional Girl is the third solo album recorded by the Canadian singer Patricia O'Callaghan. Co-released by the Marquis and Teldec/Atlantic labels in March 2001, it features the classically trained soprano’s interpretations of several well-known popular songs, including Bob Dylan’s "Like a Rolling Stone" and Randy Newman’s "Real Emotional Girl". But rather than standard cover versions these are original, highly personalised "cabaret"-style performances – most notably so of the Dylan and Newman songs – that suggest how these songs might have sounded had they been recorded before the advent of pop music itself (such as, say, in 1920s’ Paris or Berlin). Among the other tracks are O’Callaghan's highly acclaimed version of Leonard Cohen’s "Hallelujah" and four other of his songs, including "I'm Your Man". Real Emotional Girl was O'Callaghan's first album to be distributed in the United States and to be co-released by a major label. It received the rare accolade of a rating of four-and-a-half stars from the AllMusic website. The AllMusic reviewer J. T. Griffith wrote that O'Callaghan's interpretations "are often inspired". Christopher Loudon wrote in JazzTimes magazine that "O'Callaghan sings with a gut-level truthfulness that ranks her among the most genuine artists on the contemporary cabaret scene".
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4926