Rasputin (1928 film)
http://dbpedia.org/resource/Rasputin_(1928_film) an entity of type: Thing
Dornenweg einer Fürstin ist ein von exilrussischen Fachkräften in Berlin hergestelltes deutsches Stummfilmdrama aus dem Jahre 1928 mit Wladimir Gaidarow, und Mary Kid in den Hauptrollen.
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Rasputin, The Prince of Sinners (German: Dornenweg einer Fürstin), or simply Rasputin, is a 1928 German-Soviet drama film co-directed by Nikolai Larin and Boris Nevolin and starring Vladimir Gajdarov, Suzanne Delmas and Ernst Rückert. The film's poster showed the tagline "rysslands onda ande", which translates as "Russia's Evil Spirit". It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by Carl Ludwig Kirmse. This film is sometimes confused with another 1928 German silent film made about Rasputin called Rasputin, the Holy Sinner.
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Dornenweg einer Fürstin
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Rasputin (1928 film)
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Rasputin, The Prince of Sinners
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Rasputin, The Prince of Sinners
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Theatrical film poster
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Germany
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Soviet Union
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Nikolai Larin
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Boris Nevolin
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Süd film
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Silent
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German intertitles
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Memento Film-Fabrik
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Dornenweg einer Fürstin ist ein von exilrussischen Fachkräften in Berlin hergestelltes deutsches Stummfilmdrama aus dem Jahre 1928 mit Wladimir Gaidarow, und Mary Kid in den Hauptrollen.
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Rasputin, The Prince of Sinners (German: Dornenweg einer Fürstin), or simply Rasputin, is a 1928 German-Soviet drama film co-directed by Nikolai Larin and Boris Nevolin and starring Vladimir Gajdarov, Suzanne Delmas and Ernst Rückert. The film's poster showed the tagline "rysslands onda ande", which translates as "Russia's Evil Spirit". It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by Carl Ludwig Kirmse. This film is sometimes confused with another 1928 German silent film made about Rasputin called Rasputin, the Holy Sinner. This being the only known German-Russian co-production ever done about Rasputin, the filmmakers were able to shoot the film at or near the historical places where the real life incidents portrayed actually occurred. In 1928, the Russian royalty was interested in showing Rasputin as the monster he really was, rather than try to illicit sympathy for the character. He is depicted as a sexually promiscuous alcoholic with abhorrent manners, similar to the manner in which Hammer Films later portrayed him in their 1966 Christopher Lee film, Rasputin the Mad Monk.
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