Quintuple meter

http://dbpedia.org/resource/Quintuple_meter an entity of type: Place

Quintuple meter or quintuple time is a musical meter characterized by five beats in a measure. They may consist of any combination of variably stressed or equally stressed beats. Like the more common duple, triple, and quadruple meters, it may be simple, with each beat divided in half, or compound, with each beat divided into thirds. The most common time signatures for simple quintuple meter are 54 and 58, and compound quintuple meter is most often written in 158. rdf:langString
El metro quíntuple, metro quinario o tiempo quíntuple es un metro musical caracterizado por cinco golpes de tiempo en una medida. Los patrones de golpes de tiempo más comunes son: fuerte-débil-medio-débil-débil, fuerte-débil-débil-medio-débil, y fuerte-débil-débil-medio-débil. rdf:langString
Une mesure à cinq temps est une mesure dont le numérateur est cinq, ce qui indique qu'il y a cinq unités de durée dans la mesure (croche, noire, blanche, etc.) Elle peut se présenter sous deux formes : * le plus souvent, cinq étant un nombre premier, une mesure irrégulière à deux temps, avec un temps ternaire et un temps binaire ( + , par exemple, pour ) * parfois, une mesure à cinq temps (dans le sens de pulsations) réels ( + + + + , par exemple, pour ). rdf:langString
rdf:langString Metro quíntuple
rdf:langString Mesure à cinq temps
rdf:langString Quintuple meter
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rdf:langString Anon. n.d.. One Hundred Best Tracks of the Sixties: No. 66, Nick Drake, River Man NME 60 Years of New Music website .
rdf:langString April 2017
rdf:langString Cannot see anything marked either in 5/4 or 6/4 in this source.
rdf:langString El metro quíntuple, metro quinario o tiempo quíntuple es un metro musical caracterizado por cinco golpes de tiempo en una medida. Los patrones de golpes de tiempo más comunes son: fuerte-débil-medio-débil-débil, fuerte-débil-débil-medio-débil, y fuerte-débil-débil-medio-débil. Los patrones pueden usar cualquier otra combinación, incluyendo cinco tiempos igualmente fuertes en cada compás, en que cada uno consiste en un acento y un no-acento. Al igual que los metros dúples, triples y cuádruples más comunes, puede ser simple, con cada pulso dividido a la mitad, o compuesto, con cada golpe de tiempo dividido en tres partes. Las marcas de compás más comunes para el metro quíntuple simple son 5/4 y 5/8 y el metro quíntuple compuesto es con mayor frecuencia escrito en 15/8.
rdf:langString Une mesure à cinq temps est une mesure dont le numérateur est cinq, ce qui indique qu'il y a cinq unités de durée dans la mesure (croche, noire, blanche, etc.) Elle peut se présenter sous deux formes : * le plus souvent, cinq étant un nombre premier, une mesure irrégulière à deux temps, avec un temps ternaire et un temps binaire ( + , par exemple, pour ) * parfois, une mesure à cinq temps (dans le sens de pulsations) réels ( + + + + , par exemple, pour ). Bien représentée dans la musique folklorique en Europe, en Asie et au Moyen-Orient, mais pratiquement ignorée dans la musique savante du Moyen Âge, la musique baroque et la musique classique du XVIIIe siècle, cette mesure est redécouverte au XIXe siècle par les compositeurs européens, notamment grâce à Antoine Reicha, qui s'en fait le promoteur, et Hector Berlioz qui en expose les principes en 1855 dans Le chef d'orchestre, théorie de son art, publié en appendice de son Traité d'instrumentation et d'orchestration pour l'orchestre symphonique. La mesure à cinq temps convient à l'expression de la mélodie comme de la danse. Dans ce dernier cas, il s'agit également du premier rythme bulgare, selon la terminologie de Béla Bartók. Cette mesure se rencontre aujourd'hui dans les musiques jazz, pop et rock. Pour éviter toute confusion, l'article ne traite pas de la mesure à quinze temps, souvent assimilée à la mesure à cinq temps mais résultant parfois de combinaisons de durées différentes.
rdf:langString Quintuple meter or quintuple time is a musical meter characterized by five beats in a measure. They may consist of any combination of variably stressed or equally stressed beats. Like the more common duple, triple, and quadruple meters, it may be simple, with each beat divided in half, or compound, with each beat divided into thirds. The most common time signatures for simple quintuple meter are 54 and 58, and compound quintuple meter is most often written in 158.
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