Public Strain
http://dbpedia.org/resource/Public_Strain an entity of type: Thing
Public Strain is the second and final studio album by Canadian rock band Women. It was released on August 23, 2010, via Flemish Eye in Canada and Jagjaguwar in the United States. The album was produced by Chad VanGaalen and recorded during a period of isolation for the band with limited equipment and experimental techniques involved in the 10-month recording process. It has been noted for the key and vocal delivery, unique sound and krautrock style, influence from the Velvet Underground, and numerous genres including post-punk.
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Public Strain
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Public Strain
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Women Public Strain.jpg
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I like listening to music that sounds sort of fearless, like they're not afraid of fucking up, or not particularly worried about how people think...
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Drowned in Sound
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Patrick Flegel interview with Anthony Fantano, 2010
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Public Strain is the second and final studio album by Canadian rock band Women. It was released on August 23, 2010, via Flemish Eye in Canada and Jagjaguwar in the United States. The album was produced by Chad VanGaalen and recorded during a period of isolation for the band with limited equipment and experimental techniques involved in the 10-month recording process. It has been noted for the key and vocal delivery, unique sound and krautrock style, influence from the Velvet Underground, and numerous genres including post-punk. Lyrically, Public Strain addresses issues such as paranoia and melancholy. It contains multiple references to Ray Johnson. The deadpan vocal delivery of guitarist Patrick Flegel and bassist Matthew Flegel were described as evocative and hard to understand; the album makes use of harmonizing from all three band members and VanGaalen to create an "ethereal" vocal track. Its instrumentation is abrasive, which drew comparisons to Sonic Youth and Wavves. An accompanying tour would abruptly halt and ultimately lead to Women's disbanding in October 2010. Public Strain was released to high critical reviews, and it was longlisted for the 2011 Polaris Music Prize. Retrospective reviews have labeled it one of the best albums of the 2010s decade, with particular praise directed towards the closing track "Eyesore". Widely considered an underground classic, the album has received a cult following. Its large impact on indie artists has been noted by personnel involved in the recording and release of the album.
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