Process music

rdf:langString Process music

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rdf:langString Seibt, Johanna . 2004. Process Theories: Crossdisciplinary Studies in Dynamic Categories. Dordrecht and London: Kluwer Academic Publishers. .

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rdf:langString Fritsch, Johannes. 1979. "Prozeßplanung". In Improvisation und neue Musik, Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt 20, edited by Reinhold Brinkmann, 108–117. Mainz: B. Schott's Söhne.

rdf:langString Reich, Steve. 2002. "Music as a Gradual Process (1968)". In his Writings about Music, 1965–2000, edited with an introduction by Paul Hillier, 9–11. Oxford and New York: Oxford University Press. ; .

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rdf:langString Christensen, Erik. 2004. "Overt and Hidden Processes in 20th Century Music", in Process Theories: Crossdisciplinary Studies in Dynamic Categories, edited by Johanna Seibt, 97–117. Dordrecht and London: Kluwer Academic Publishers. .

rdf:langString Kohl, Jerome. 1981. Serial and Non-Serial Techniques in the Music of Karlheinz Stockhausen from 1962–1968. Ph.D. diss., Seattle: University of Washington.

rdf:langString Annea Lockwood

rdf:langString annea-lockwood-beside-the-hudson-river

rdf:langString Annea Lockwood Beside the Hudson River

rdf:langString Process music is music that arises from a process. It may make that process audible to the listener, or the process may be concealed. Primarily begun in the 1960s, diverse composers have employed divergent methods and styles of process. "A 'musical process' as Christensen defines it is a highly complex dynamic phenomenon involving audible structures that evolve in the course of the musical performance ... 2nd order audible developments, i.e., audible developments within audible developments". These processes may involve specific systems of choosing and arranging notes through pitch and time, often involving a long term change with a limited amount of musical material, or transformations of musical events that are already relatively complex in themselves. Steve Reich defines process music not as, "the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound-to-sound) details and the overall form simultaneously. (Think of a round or infinite canon.)"

rdf:langString Annea Lockwood