Presentation miniature

http://dbpedia.org/resource/Presentation_miniature

Als Dedikationsbild (von lat. dedicatio „Zueignung, Weihung, Widmung“) oder Widmungsbild wird ein in der Buchmalerei meist am Anfang einer Handschrift vorangestelltes Bild bezeichnet, das den Autor, seltener auch den Schreiber oder Buchmaler, des Werkes bei der Überreichung des Buches an den Auftraggeber zeigt. Dedikationsbilder zählen zu den ersten wirklichkeitsnahen Porträts. Das Dedikationsbild ist ein Spezialfall des Stifterbildes, das den Auftraggeber eines Kunstwerkes ohne den Künstler zeigt. Beiden Bildtypen wurden häufig Heilige beigefügt, bei denen es sich meist um den Namenspatron des Stifters handelt. rdf:langString
Una miniatura de dedicación (del latín dedicatio "dedicación, consagración, dedicatoria") o miniatura de presentación es una imagen en la iluminación de libros, generalmente colocada al principio del manuscrito, que muestra al autor o más raramente al escriba o iluminador de la obra presentando el libro al mecenas. Las miniaturas de dedicación se encuentran entre los primeros retratos realistas y son un caso especial del retrato de donante, mostrando al mecenas de una obra de arte sin el artista. Iban acompañadas de santos, que solía ser el onomástico del donante. rdf:langString
A presentation miniature or dedication miniature is a miniature painting often found in illuminated manuscripts, in which the patron or donor is presented with a book, normally to be interpreted as the book containing the miniature itself. The miniature is thus symbolic, and presumably represents an event in the future. Usually it is found at the start of the volume, as a frontispiece before the main text, but may also be placed at the end, as in the Vivian Bible, or at the start of a particular text in a collection. rdf:langString
rdf:langString Dedikationsbild
rdf:langString Miniatura de dedicación
rdf:langString Presentation miniature
xsd:integer 50391754
xsd:integer 1057298194
rdf:langString Als Dedikationsbild (von lat. dedicatio „Zueignung, Weihung, Widmung“) oder Widmungsbild wird ein in der Buchmalerei meist am Anfang einer Handschrift vorangestelltes Bild bezeichnet, das den Autor, seltener auch den Schreiber oder Buchmaler, des Werkes bei der Überreichung des Buches an den Auftraggeber zeigt. Dedikationsbilder zählen zu den ersten wirklichkeitsnahen Porträts. Das Dedikationsbild ist ein Spezialfall des Stifterbildes, das den Auftraggeber eines Kunstwerkes ohne den Künstler zeigt. Beiden Bildtypen wurden häufig Heilige beigefügt, bei denen es sich meist um den Namenspatron des Stifters handelt.
rdf:langString Una miniatura de dedicación (del latín dedicatio "dedicación, consagración, dedicatoria") o miniatura de presentación es una imagen en la iluminación de libros, generalmente colocada al principio del manuscrito, que muestra al autor o más raramente al escriba o iluminador de la obra presentando el libro al mecenas. Las miniaturas de dedicación se encuentran entre los primeros retratos realistas y son un caso especial del retrato de donante, mostrando al mecenas de una obra de arte sin el artista. Iban acompañadas de santos, que solía ser el onomástico del donante.
rdf:langString A presentation miniature or dedication miniature is a miniature painting often found in illuminated manuscripts, in which the patron or donor is presented with a book, normally to be interpreted as the book containing the miniature itself. The miniature is thus symbolic, and presumably represents an event in the future. Usually it is found at the start of the volume, as a frontispiece before the main text, but may also be placed at the end, as in the Vivian Bible, or at the start of a particular text in a collection. In earlier manuscripts the recipient of the book may be a dead saint, the founder of a monastery or monastic order, for example, and the person handing over the book the abbot, or sometimes the scribe of the book. The genre is an extension of other forms of dedication portraits, for example wall-paintings or mosaics in churches showing the person who commissioned the church holding a model of it. Ultimately they stretch back to scenes where classical rulers receive tribute, or those where a procession of Early Christian martyrs carry their crowns to present Christ. The miniatures are often found in luxury books presented to the emperor or another major figure, which usually followed significant donations of land to the monastery concerned. In the early period the manuscripts concerned are normally religious books, especially liturgical ones. The texts are old, and the "offering" represented is the creation of an expensive illuminated manuscript. In the late Middle Ages works, often secular ones, are generally presented by their author or translator, though lavish copies of older texts may also still receive presentation miniatures. In these first cases the "offering" is usually the text itself, and the patron had presumably often paid for his own luxury copy himself, though some translators and even authors were also scribes. Now the text dedication to the patron, at this period often long and flowery, came to form part of the work itself, and at least the text was repeated in further copies. Such author's dedications, now far shorter, have remained part of the printed book. Sometimes presentation miniatures were also repeated in subsequent copies. Michelle Brown distinguishes between presentation miniatures, where the actual book containing the miniature passed between the parties shown, and dedication miniatures in subsequent copies made for other people.
xsd:nonNegativeInteger 18247

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