Piano sonatas (Boulez)
http://dbpedia.org/resource/Piano_sonatas_(Boulez) an entity of type: Abstraction100002137
Pierre Boulez composed three piano sonatas: the First Piano Sonata in 1946, the Second Piano Sonata in 1947–48, and the Third Piano Sonata in 1955–57 with further elaborations up to at least 1963, though only two of its movements (and a fragment of another) have been published.
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Le tre sonate per pianoforte di Pierre Boulez sono considerate i suoi primi veri lavori per pianoforte, anche se preceduti dall'esperimento di una "Notazione" del 1945. La Sonata n. 1 è del 1946, la seconda del 1948 e la terza nasce tra il 1955 e il 1957 con ulteriori rielaborazioni almeno fino al 1963, anche se inizialmente furono pubblicati solo due dei suoi movimenti e un frammento di un altro. Le tre opere si integrano nel novero delle opere di musica seriale, spinta da Boulez ai limiti estremi con la tecnica da lui definita del "serialismo integrale".
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Sonate per pianoforte (Boulez)
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Piano sonatas (Boulez)
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6491927
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1950.0
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Peyser, Joan. 2008. To Boulez and Beyond: Revised Edition. Scarecrow Press. Lanham, Maryland.
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Goldman, Jonathan. 2011. The Musical Language of Pierre Boulez: Writings and Compositions. Cambridge University Press. New York.
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Bennett, Gerald. 1986. "The Early Works". In Pierre Boulez: A Symposium, edited by William Glock, 41–84. London: Eulenburg Books.
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Iddon, Martin. 2013. John Cage and David Tudor : Correspondence on Interpretation and Performance. Cambridge University Press. New York.
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Schatz, Ingeborg, and Hilde Strobel . 1977. Heinrich Strobel "Verehrter Meister, lieber Freund": Begegnungen mit Komponisten unserer Zeit. With photographs by Heinrich Strobel. Stuttgart and Zurich: Belser Verlag.
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Boulez, Pierre. 1976. Conversations with Célestin Deliège. Ernst Eulenburg. London.
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Campbell, Edward. 2010. Boulez, Music and Philosophy. Cambridge University Press. New York.
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Universal Edition. 1967. UE Buch der Klaviermusik des 20. Jahrhunderts. Vienna.
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Edwards, Allen. 1989. "Unpublished Bouleziana at the Paul Sacher Foundation". Tempo no. 169 , pp. 4–15.
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Rosen, Charles. 1986. "The Piano Music". In Pierre Boulez: A Symposium, edited by William Glock, 85–97. London: Eulenburg Books.
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Gable, David. 1990. "Boulez's Two Cultures: The Post-War European Synthesis and Tradition". Journal of the American Musicological Society 43, no. 3 , pp. 426–456.
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Silverman, Kenneth. 2013. Begin Again: A Biography of John Cage. Northwestern University Press. Evanston, Illinois.
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Fanning, David. n.d. Stravinsky: Pétrouchka – Prokofiev: Sonate No. 7 – Webern: Variationen op. 27 – Boulez: Sonate No. 2, Maurizio Pollini, included booklet. Deutsche Grammophon 447 431–2, 1995.
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Jameux, Dominique. 1991. Pierre Boulez, translated by Susan Bradshaw. Harvard University Press. Cambridge, Massachusetts.
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Gärtner, Susanne. 2016. "Traces of an Apprenticeship: Pierre Boulez's Sonatine ". In Pierre Boulez Studies, edited by Edward Campbell and Peter O'Hagan, 25–55. Cambridge: Cambridge University Press.
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Griffiths, Paul. 1978. Boulez. Oxford University Press. New York.
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Griffiths, Paul. 2010. Modern Music and After. Oxford University Press. New York.
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Decroupet, Pascal. 2004. "Floating Hierarchies: Organisation and Composition in Works by Pierre Boulez and Karlheinz Stockhausen during the 1950s". In A Handbook to Twentieth-Century Musical Sketches, edited by Patricia Hall and Friedemann Sallis, 146–60. Cambridge: Cambridge University Press.
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Cage, John. 2006. CageTalk : Dialogues With and About John Cage, edited by Peter Dickinson. University of Rochester Press. Rochester, New York.
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Boulez, Pierre. 1968. Notes of an Apprenticeship, translated by Herbert Weinstock. Alfred A. Knopf. New York.
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Pierre Boulez composed three piano sonatas: the First Piano Sonata in 1946, the Second Piano Sonata in 1947–48, and the Third Piano Sonata in 1955–57 with further elaborations up to at least 1963, though only two of its movements (and a fragment of another) have been published.
rdf:langString
Le tre sonate per pianoforte di Pierre Boulez sono considerate i suoi primi veri lavori per pianoforte, anche se preceduti dall'esperimento di una "Notazione" del 1945. La Sonata n. 1 è del 1946, la seconda del 1948 e la terza nasce tra il 1955 e il 1957 con ulteriori rielaborazioni almeno fino al 1963, anche se inizialmente furono pubblicati solo due dei suoi movimenti e un frammento di un altro. Le tre opere si integrano nel novero delle opere di musica seriale, spinta da Boulez ai limiti estremi con la tecnica da lui definita del "serialismo integrale".
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24696