Paul Ardenne
http://dbpedia.org/resource/Paul_Ardenne an entity of type: Thing
Paul Ardenne, né le 4 octobre 1956, est un historien, historien de l'art, commissaire d'exposition et écrivain français. En sa qualité d’historien de l’art, il est spécialisé dans l’art contemporain. Il a enseigné l’histoire de l’art contemporain à la Faculté des Arts de l'université d'Amiens.
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Paul Ardenne (born 4 October 1956) is Professor of history at the University of Amiens, and is also an art critic and a curator in the field of contemporary art. He grew up in a family of farmers from Charente (for a while he, too, worked in farming), he studied literature, history and philosophy at the University of Poitiers and University of Toulouse, before completing a doctorate in history of art with Laurence Bertrand Dorléac at the University of Paris I (Contemporary Fine Art – Forms and Constraints). In Paris, he encountered the future contemporary art curator, , as well as Catherine Millet, founder/director of Art Press and José Alvarez, director of the publishing label Regard, three figures whose positions on aesthetics influenced his own views.
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Paul Ardenne
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Paul Ardenne
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Paul Ardenne
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Paul Ardenne
xsd:date
1956-10-04
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14799408
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1083646773
xsd:date
1956-10-04
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Paul Ardenne, né le 4 octobre 1956, est un historien, historien de l'art, commissaire d'exposition et écrivain français. En sa qualité d’historien de l’art, il est spécialisé dans l’art contemporain. Il a enseigné l’histoire de l’art contemporain à la Faculté des Arts de l'université d'Amiens.
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Paul Ardenne (born 4 October 1956) is Professor of history at the University of Amiens, and is also an art critic and a curator in the field of contemporary art. He grew up in a family of farmers from Charente (for a while he, too, worked in farming), he studied literature, history and philosophy at the University of Poitiers and University of Toulouse, before completing a doctorate in history of art with Laurence Bertrand Dorléac at the University of Paris I (Contemporary Fine Art – Forms and Constraints). In Paris, he encountered the future contemporary art curator, , as well as Catherine Millet, founder/director of Art Press and José Alvarez, director of the publishing label Regard, three figures whose positions on aesthetics influenced his own views.
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6275
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1956